America increasingly looks like a caste society, where wealth, education, marriage, and family are narrowly inherited.
America’s working class is being hurt, and it isn’t entirely their fault. The elites who made laws and welfare programs that are ruining their lives should bear responsibility for that.
James Mattis’s departure highlights the broader legitimation crisis that results from American foreign policy being run without democratic accountability and against popular opinion.
Dr. Charles Murray joins the Federalist Radio Hour for a conversation on tribalism, elitism, free speech, and broad trends in our culture.
The left’s young radicals will be no more forgiving to the liberal elites than the populists will. In the end, they too will turn on those who led them to ruin.
The yellow jacket protests are just a small symptom of a much larger problem––the decline and fall of once-magnificent France.
Donald Trump declines the authority of the cultural sectors that most assertively claim it. That’s the real conflict going on.
The lesson this elite university and others really teach is that working hard and playing by the rules are for the little people, not the future Masters of the Universe.
I didn’t get into the lit business to party. I’m devoted to spreading ideas, telling stories, and, most of all, to making mega-bank.
You may have never heard of Robert Kagan or Max Boot, but they are hugely influential to the people you vote for.
In the new world disorder, empire is the ultimate safe space.
Ross Douthat argues in The New York Times that the cabinet and Congress should remove Trump from office. It’s a reckless argument for undermining democracy.
Charles Murray’s ‘Fishtown’ has some real grievances. It also has some real social problems. Populists don’t love talking about those, unless to blame elites.
It’s my humble opinion that New Yorkers, generally among our most highly educated, paradoxically understand among the least.
At Elizabethtown College, students are donning white puzzle piece pins as a means of (virtue) signaling penitence for our time’s original sin: whiteness.
No movie better captures the cultural zeitgeist of the America that exists outside of the so-called bubbles than ‘Hell or Highwater,’ even though it’s from a Scotsman.
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