It is refreshing to see the Academy buck the outrage culture crying over “inequality,” and it is a delight to see films we all loved get recognition in a circle that seemed to have been shrinking around more unpopular films each year.
In ‘Hustlers,’ Jennifer Lopez transformed into a difficult character, masterfully conveying layers of class tension and womanhood that less capable actresses wouldn’t have grasped.
Sam Mendes’ magnificent epic raises a question stripped straight from today’s headlines: Is war a futile waste of life or the apex of the human experience?
Adam Driver stars in a movie that attempts to tell the story of the Senate Intelligence Committee’s infamous ‘torture report,’ but it gets the story badly wrong and tries to lionize a dishonest partisan hitman.
‘Cats’ was so bad that the only reasoning I can come up with for its badness is that it was a plot by dogs to make cats as unappealing as cosmically possible.
As television becomes higher and higher quality in writing, acting, clothing and cinematography, movies are going to become increasingly a retro pursuit favored by men.
Turning his attention to costar Leo DiCaprio, Brad Pitt went all the way back to the frigid waters of the Atlantic to take a good-natured jab at his friend.
‘1917,’ which follows the release of Peter Jackson’s groundbreaking World War I documentary by one year, shares a story of selflessness and honor through technically dazzling cinematic effects.
Like most decades, the 2010s produced their share of terrible, terrible movies. Some bad movies can be fun in their own particular ways. These are not those movies.
‘Little Women’ is so important and transcends each generation because it captures the differences between women — in personalities, desires, and fortunes. Greta Gerwig’s rendition didn’t quite cut it.
In 2019, we’re forced to suffer through comedies like ‘Long Shot’ and ‘Late Night,’ when ten years ago, the yearly options were plentiful.
Let’s enjoy what Hollywood produced the decade before streaming giants really disrupted the landscape.
Contrary to what feminist writer Amanda Marcotte says, stories of heterosexual monogamous courting, like Hallmark movies, are the exact opposite of fascism.
It goes against every piety of the liberal elites to portray the hippies as evil, but Quentin Tarantino points out that the new liberation spawned a murderous cult in Hollywood.
The storyline of hunting space Nazis with iron-cored authoritarianism was cool in the 1970s. It feels anachronistic in 2019, as you come out of the theater to see J. K. Rowling being cancelled.
You don’t have to go to the Hallmark Channel to expand your seasonal selections.
We’ve all seen filmmakers’ cookie-cutter wokeness. ‘Richard Jewell’ shows us something new and relatable through an American libertarian lens — and audiences could use more of that.
If the LGBT mob won’t let us celebrate cheesy Hallmark Christmas without celebrating their sin, they certainly won’t let us celebrate actual Jesus Christmas that way either.
The film’s message isn’t so much that neither government nor media is to be trusted, but for Americans to ask themselves why they should trust either.
Huge dollops of deceit undercut both the credibility and even the message of ‘Bombshell’ by allowing it to be dismissed as politically expedient fiction.
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