Unfocused, charming, a little sappy, a tad more menacing than one may remember, ‘Yellow Submarine’ is silly and innocent, without being insultingly amateurish.
In three weeks an artsy commemorative book debuts marking the film’s fiftieth anniversary: ‘This Is No Dream: Making Rosemary’s Baby,’ by James Munn and Bob Willoughby.
It’s supposed to be this critique of gun culture, but throughout the entire series the bad guys with guns are always stopped by good guys with guns.
The Fourth of July shouldn’t be about celebrating warfare or revolution, it should be about celebrating exceptional American freedom.
Sequels usually fall the flattest when they try to recapture the original quality. That will never happen here, because the original is so special.
‘Jurassic Park’ has spun off a succession of sequels, and by most lights, none of them are very good.
Most of the films nominated for Best Picture that year justly disappeared down the memory hole, while ‘WALL-E’ remains as vibrant and striking as ever.
From a standard SJW storyline of female empowerment and male incompetence, the film diverges into a much more interesting, universal, and realistic set of conclusions.
Instead of dropping a pile of Star Wars spinoffs because of ‘Solo’s’ low box office, Lucasfilm should turn over the keys to their directors and let them take more risks.
Not since Roger Moore’s turn as James Bond has an actor sleepwalked through a film like Rudd has here.
Not only does the movie get its themes confused when it comes to the villain, its plot is an embarrassment.
These works of fiction show that science in and of itself cannot answer questions of purpose, and science applied without purpose can be destructive.
The new horror film ‘Hereditary’ is hyperbolic in its honesty over what our family line can do to us.
This weekend, ‘The Incredibles 2’ hits theaters, 14 years after the original. Before you go see the new movie, let’s talk about the original.
The long-awaited all-female follow-up to the beloved Ocean’s series is an absolute mess, complete with gaping plot holes, and a completely flat story.
The advent of ‘Ocean’s 8’ reminds me that Steven Soderbergh’s Ocean’s Eleven, Twelve, and Thirteen are enjoyable (and sometimes great) movies.
British writer-director Bart Layton designed this thrilling heist film around the candid interviews of the four thieves themselves.
At first dejected by his rapidly deteriorating circumstances, Rev. Toller replaces God with dark obsession, and vanishes into his basest impulses.
The truth is, Han Solo isn’t much of a character on paper. He is completely replaceable within the Star Wars story.
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