Emily Jashinsky is culture editor at The Federalist. She previously covered politics as a commentary writer for the Washington Examiner. Prior to joining the Examiner, Emily was the spokeswoman for Young America’s Foundation. She’s interviewed leading politicians and entertainers and appeared regularly as a guest on major television news programs, including “Fox News Sunday,” “Media Buzz,” and “The McLaughlin Group.” Her work has been featured in the Wall Street Journal, the New York Post, Real Clear Politics, and more. Emily also serves as director of the National Journalism Center and a visiting fellow at Independent Women’s Forum. Originally from Wisconsin, she is a graduate of George Washington University.
“Promising Young Woman” effectively conveys the moral mess created by the Wild Wild West of the smartphone’s earliest introduction to society.
Elite politicians and journalists who inaccurately soften the reality of illegal immigration endanger desperate people and empower cartels.
The Chloé Zhao case study offers such a useful glimpse into Beijing’s sensitivity and how it affects corporations in the West.
The Georgia example is instructive in illustrating exactly how much of our conflict is downstream of the broken media.
Jamie Kennedy was badgered and shamed by a guy who seems to have spent a lot of money learning to produce shoddy fact-checks of comedians like they’re shoe-leather triumphs.
Journalists rolled out a slate of approving headlines about Tiffany Cross’s ‘slam’ over the weekend, exposing how reflexive their blue-check click-bait muscles are when anti-conservatives pounce.
With “WAP” now more than six months old, it’s easier to step back and see how the track sunk into our pop cultural landscape.
The blue-check brigade is invoking a USA Today writer’s sex as though it should prevent men from criticizing her work in public.
Fish don’t know they’re wet and media leftists don’t know they’re biased. They swim in the waters of ideological consensus
After a popular shaving company pulled their ads from a Daily Wire show, media outlet is planning to launch their own direct-to-consumer men’s grooming line.
The left’s growing cultural power among corporations will pose a challenge for future Republican hopefuls with a business background.
Fifteen years after the first “Real Housewives” franchise appeared on March 21, 2006, some of Bravo’s biggest fans are rendering the network’s brash reality fare impossible.
We’re running an experiment on human psychology in real time, and in a political and media environment that’s disproportionately responsive to wealthy interests, the policy discussion has yet to catch up.
Called out on her false reporting, Boorstein engaged in a lengthy back-and-forth with critics—including Anderson—but refused to concede any misrepresentation of the quote.
The Alexi McCammond drama is obviously crazy to everyone, except to the journalists who normalized these absurd standards.
Ignoring and conceding small battles like six Dr. Seuss books or Mr. Potato Head is what empowers the left’s culture warriors to take control of everything.
There is nothing normal or stable about Democrats recklessly accusing their Republican counterparts of being ‘domestic enemies’ eager to revive Jim Crow.
Economic distress and the immediate destruction of free expression are not mutually exclusive.
‘Nomadland’ is not an exceptional case study. It’s proof that erecting artistic barriers against cross-cultural exploration will cost us beautiful work.
For all our personal and cultural projections onto the couple, ‘Harry and Meghan’ is always just our interpretation of the family’s media tug-of-war.
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