The ‘Top Chef’ producers constantly find themselves trapped in a dilemma: how to appear to be a thrilling, objective competition while appealing to woke sensibilities.
In an effort to satisfy the pressure from the Black Lives Matter movement, actor John Cleese spoke out against the removal of a “Fawlty Towers” episode he was in.
While ‘Space Force’ is definitely intended as a satire, it makes some rather compelling points about the essential nature of exploration.
These television reunions demonstrate the creativity (and lack thereof) that can arise when content must be created under social distance.
The show’s pace mirrors the pace of swipe-happy app dating, and catches its millennial contestants in an interesting set-up of blind dates.
It’s hard to imagine Adventure Bay residents sense anything but fear with Chase the police pup patrolling their streets in his armored truck.
Good cop portrayals like Chase the police dog are absolutely necessary because our society and nation need admirable examples of public servants for kids and adults to look up to.
One of America’s favorite background trash-reality TV shows, ‘Cops’ has officially been arrested by the mob of cancel culture.
Reality television is a circus of immorality in which naturally skilled idiots are conducted by clever producers.
Cop shows and detective mystery series are the most popular shows on television. They’re not going anywhere anytime soon, despite what The Washington Post says.
‘Mrs. America’ tries to paint Phyllis Schlafly as cold and unforgiving, but the conservative icon my grandmother and I knew was nothing of the sort.
Charming, sweet, and grounded, ‘Love Life’ gives us hope that relationships built on meaningful connections are still possible.
To put it concisely: The Real Housewives of Beverly Hills are sustaining the illusion of propriety, the Real Housewives of New York are abandoning it.
Gadsby’s work is a testament to how eagerly the arbiters of our culture will devour and elevate work that convincingly purports to be progressive.
In ‘Little Fires Everywhere,’ it’s interesting to see the ’90s reflected from this distance of more than 20 years. But the identity politics is suffocating.
Pump Rules’s sometimes grimy studio-apartment aesthetic worked on a network defined by luxury because its stars were fueled by an intense, American desperation to ‘make it’ in Hollywood.
Just as has happened in our economy dominated by finance capitalism, feminism brought outsized benefits to a few in exchange for the suffering of many.
The fifth season finale of ‘Outlander’ just aired on Starz and wow, it was stunning. It was also the last new episode to air for at least a year.
In its stark portrayal of an atheistic afterlife, Amazon’s new series ‘Upload’ shows that a belief in God offers a greater understanding of human potential than a life without him.
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