David Bufkin joins Ben Domenech on The Federalist Radio Hour to discuss the 1998 action thriller “Ronin” in another “Stream During Quarantine” special.
In ‘Extraction,’ Netflix’s first-to-streaming release, Chris Hemsworth exudes the acting chops he so rarely gets credit for displaying.
There was nothing enjoyable, moving, or engaging about ‘Joker,’ which decided to trade an interesting story and compelling characters for a grim tone.
Elizabeth Banks believes her reboot of “Charlie’s Angels” didn’t make any money because men categorically eschew women-led action flicks.
It may have bombed at the box office, but ‘Terminator: Dark Fate’ proves why the franchise will continue to resonate with fans.
What is it about this character that has made everything from his image to the melancholy trumpet dirge originally composed by Jerry Goldsmith for his character so appealing to many Americans?
‘Rambo: Last Blood’ is Sylvester Stallone’s Donald Trump movie, all about the need to defend the border from the terrifying criminals who rule over fearful citizens in Mexico.
For anyone interested in Hollywood producing movies beyond big-budget franchises and sequels, here are 13 under-the-radar films to check out this fall.
Here’s an entertaining list of the worst offerings to grace theaters this summer.
If you go into ‘Hobbs and Shaw’ expecting anything other than a goofy, over-the-top action film, then you will be gravely disappointed.
Blade’s sword-wielding, crime-fighting ways — and the progression of the trilogy itself — gave us all the opportunity to learn the name Thanos.
The spy film genre currently needs two things: a new James Bond, and an increase in clever female-driven spy films. These should be solved separately.
Netflix’s ‘Triple Frontier’ is a movie about the one thing that’s been banished from our entertainment—friendship between men.
Liam Neeson has built a career on wielding guns in Hollywood-created action movies, but he still demonizes gun owners and manufacturers.
As far as there can be an objective way to classify what counts as a Christmas movie, ‘Die Hard’ meets those requirements.
The critics of this Denzel Washington film have ignored its underlying morality that others of this type lack.
Not many actors and actresses running around these days can generate wide-ranging interest by their mere involvement. But The Rock almost always does.
These works of fiction show that science in and of itself cannot answer questions of purpose, and science applied without purpose can be destructive.
This film mixes ‘Lord of the Rings,’ ‘300,’ and ‘Mission Impossible II’ and is full of dazzling visual effects, gritty action, and non-stop masculine energy, plus a healthy dose of snarky humor.
The thundering soundtrack and serious faces plainly attempt to convey a sense of profundity, but without any apparent comprehension of what actually makes a human situation profound.
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