Woody Allen tries and fails to present himself as worlds away from his screen persona of a hopelessly neurotic, oversexed failure with women and an all-around coward.

The boilerplate horror film is one-dimensional, aided by oblivious characters and poor screenwriting, only partially saved by Quaid’s excellent acting.

The film implies the dead should have been left alone for their souls to enter the afterlife, but filmmakers chose not to beat viewers over the head here.

Netflix’s ‘The Highwaymen’ shows Kevin Costner and Woody Harrelson in top form, honoring their characters while acknowledging their flaws.

‘Apollo 11’ is mythical and patriotic, but does not eschew the hard science that was required to get Americans on the moon.

Hopefully the new Holocaust documentary ‘Who Will Write Our History?’ will educate millennials about what happened and could happen again.

A new annotated edition of Chandler’s classic book ‘The Big Sleep,’ is a good opportunity to reexamine the atmosphere and attitudes surrounding famed detective Philip Marlowe.

Their partnership was tense, but Stan Lee and Jack Kirby were pioneers.

Nicholas Parisi’s new biography, ‘Rod Serling: His Life, Work, and Imagination,’ fails to present a complete picture of the legendary screenwriter who did his best work outside the TV show that made him famous.

The amazing part of ‘Bohemian Rhapsody’ is how Rami Malek channeled Freddie Mercury rather than impersonated him.

Even Gary Oldman’s dramatic gravitas can’t save this film’s meandering plot and worshipful techno-babble.

Season 3 is as remarkable as the previous ones in propelling the material in an imaginative and intelligent direction.

Liberal feminists support anti-predator laws and seek to limit, if not eradicate the right of everyone, women included, to bear arms. Not Jamie Lee Curtis.

There is good reason the Library of Congress chose only the original for preservation for being ‘culturally, historically, or aesthetically significant.’

The series is simply not funny unless you are a liberal. Its comedy is manipulative. It loads the deck by giving all the best lines to the liberals, while conservatives sputter and flee.

Fans are feeling let down after Willie Nelson announced on Sept. 12 he would be headlining a benefit concert for Rep. Beto O’Rourke of Texas.

Liberals are offended by the costume, but the oppressed women in ‘The Handmaid’s Tale’ would have undoubtedly loved to wear it.

The film is designed to celebrate Lizzie Borden’s 18 axe blows to her stepmother and the 10 or 11 to her father as feminist empowerment.

Macdonald is refreshingly self-deprecating about his political awareness in a time when comedians advertise their political sophistication.

‘We have to stop apologizing.’