Titus Techera
Titus Techera
titustechera
Titus Techera is the executive director of the American Cinema Foundation and a contributor to National Review Online, Catholic World Report, University Bookman, American Conservative, and Modern Age.
Max Von Sydow Was Film’s Father And Grandfather To Us All

We need heroes who will face death fearlessly and keep their eyes on eternity. In Max von Sydow’s roles as an aged oracle, that is what he did.

‘The Gentlemen’ Takes On Oversensitive Pajama Boys With Humor

Through a strange series of comic circumstances, Guy Ritchie’s new heroes band together against mysterious enemies in the first marijuana heroism movie.

The 4 Best Manly, All-American Movies Of 2019

It goes against every piety of the liberal elites to portray the hippies as evil, but Quentin Tarantino points out that the new liberation spawned a murderous cult in Hollywood.

The Latest ‘Rambo’ Is Simplified, Pro-Trump Storytelling In An Age Of Prestige TV

‘Rambo: Last Blood’ is Sylvester Stallone’s Donald Trump movie, all about the need to defend the border from the terrifying criminals who rule over fearful citizens in Mexico.

What Made ‘Avengers: Endgame’ The Highest-Grossing Movie Of All Time

After 11 years of story-building, Marvel finally gave audiences a sense of completeness, showing it’s not always the journey but the conclusion that counts.

What The GOP Would Look Like If Peter Thiel Were In Charge

Thiel is not only advancing traditional conservative values, but he’s also asking for the overthrow of the prestigious institutions of post-war America.

How ‘Stranger Things’ Swapped Friendship For Cheap Feminism

In the third season of Netflix’s ‘Stranger Things,’ the story is centered on eroticism instead of friendship.

‘Men In Black International’ Illustrates How Feminism Kills Romantic Comedies

We get the same daring boys who are essentially stupid, but have good hearts, and the same brainy girls who are very shy, with no experience of the world, but turn out to win in every conceivable situation.

Jordan Peele’s ‘Twilight Zone’ Shakes Viewers Up But For No Good Reason

The show modifies parts of our liberal mythology to shake the consensus by questioning whether we are as just and good as we usually like to believe.

‘Tolkien’ Distorts And Flattens J.R.R. Tolkien’s Incredible Life Story

Why bother with people from another time if we have to always reduce them to boring, conventional people of our own times?

For All Its Flaws, ‘Shazam’ Beats ‘Captain Marvel.’ Here’s Why

America has two Captain Marvels. One debuted last month but the original is hitting screens now, and ‘Shazam’ is a better movie.

Tim Burton’s ‘Dumbo’ Is A Dark But Beautiful Celebration Of Individualism

Tim Burton’s ‘Dumbo’ conveys to viewers that from now on, we must look to ourselves for freedom, not to larger-than-life fantasies.

Jordan Peele’s ‘Us’ Explores The Darkness Inside Ourselves And Our Society

For a horror film, ‘Us’ is not particularly scary or involving, and for a movie full of metaphors, it offers nothing to hold your attention or remember.

‘Triple Frontier’ Puts The Spotlight Back On Male Friendship

Netflix’s ‘Triple Frontier’ is a movie about the one thing that’s been banished from our entertainment—friendship between men.

Its Boring Attack On Male Heroism Is Killing ‘Lego Movie 2’

Audiences tend to like the hero’s journey, not moviemakers who bludgeon audiences over the heads with morals and forced progressivism.

Why 2015’s ‘Brooklyn’ Deserves To Be Part Of Your Christmas Movies List

‘Brooklyn’ is a work of selective nostalgia that shows the best in 1950s America. It may not be a Christmas movie, but it’s perfect for the season.

Why William Goldman Was One Of The Last Greats Of 1970s Hollywood

Two movies that won Goldman Oscars, ‘Butch Cassidy and The Sundance Kid’ (1969) and ‘All The President’s Men,’ (1976) showcase all the fun of that generation, and all the political sanctimony.

Stan Lee Died A Comic Legend, And Rightfully So

It is right to honor Lee; it is right to make a legend of him. He gave us myths we still find enchanting, both as audiences and as myth-makers.

‘Daredevil’ Returns To Fabulous Form In Season 3 On Netflix

We’re back to that original conflict of Season 1: What if the devil is stronger? What if he wins?

Ignore ‘The Predator’s’ Low Reviews. It’s A Good Movie

It fails to rise above its genre, but ‘The Predator’ is rescued in part by the symbolism of family love, which reveals a deep emotional humanism that should have received far more praise.