Would our schools have prepared Abraham Lincoln to give us the Gettysburg Address or Second Inaugural? Do they aspire to?
In ‘Fools and Mortals,’ Bernard Cornwell brings a lighter version of the grit and contention of his military historical fiction to Shakespeare’s theater.
Trying to make our ‘Anglo-American heritage’ seem racially exclusive is not an answer to white nationalists. It’s an echo of them.
Yale’s English department decided it will no longer require English majors to study literary luminaries such as William Shakespeare and John Donne.
Professor Paul Cantor places Shakespeare’s works as central to his analyses of pop culture, philosophy, and ancient history.
Given that a fairly elected president bears no resemblance to Julius Caesar, why did New York’s Public Theater make this choice?
This film mixes ‘Lord of the Rings,’ ‘300,’ and ‘Mission Impossible II’ and is full of dazzling visual effects, gritty action, and non-stop masculine energy, plus a healthy dose of snarky humor.
Kate Havard joins today’s Federalist Radio Hour to discuss the nuances and complexities of Shakespeare, but specifically interpretations of his character, Falstaff.
The progressive Americans who cry ‘censorship’ when parents protest high school reading assignments tend to be the same population that supports trigger warnings in college classrooms.
How is Shakespeare is still applicable to pop culture and what does his work teach our statesmen and community leaders?
Kate Havard reviews “Hamilton” and “Othello” on today’s Federalist Radio Hour
Someone get Marco Rubio a copy of the works of Shakespeare.
Havard reviews the newest Macbeth movie and forecasts the release of the new Star Wars this week.
The English playwright speaks to American culture and ideals, past and present.
William Shakespeare’s words have never before been changed wholesale to accommodate the intellectual laziness of a generation of artists and audiences.
Polyamorists’ choice to constantly pursue the butterflies of ‘new love’ instead of experiencing the depth of true love through lifelong commitment speed down a road to hell.
The theater community celebrates demonstrably false portrayals of history that support liberal narratives, but attacks demonstrably true portrayals that support conservative conclusions.
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