Empty movies that mean only to virtue signal leave people wondering if it’s possible to create a quality superhero movie with minority leads.
Blade’s sword-wielding, crime-fighting ways — and the progression of the trilogy itself — gave us all the opportunity to learn the name Thanos.
Disney’s sequel-driven market dominance will only continue, as the company has not only broadened its reach but cemented its formula.
After 11 years of story-building, Marvel finally gave audiences a sense of completeness, showing it’s not always the journey but the conclusion that counts.
‘Spider-Man: Far From Home’ is Peter Parker’s most entertaining adventure yet.
The filmmakers didn’t seem to want to follow the plot much. Or develop characters. Or stay true to some of the more interesting parts of the comics.
At exactly half the length of ‘Avengers: Endgame,’ ‘Brightburn’ efficiently delivers a simple but solid story that’s so fresh, frightening, and franchise-worthy you’ll wish you could binge on a sequel as soon as it’s over.
Ultimately, this is a film not just about massive battles between good and evil, about flashy tech and iron suits, it is a look into the human soul, and what we are willing to do to overcome.
It’s not perfect, but ‘Avengers: Endgame’ comes close enough that even the most superhero-saturated, seen-it-all fan will love it.
The Avengers series raises questions that cut to the essence of human nature, and ‘Endgame’ is the last chance for America to get the answers we deserve.
In the Marvel cinematic universe, the evolution of Thanos tracks with the devolution of western culture and the glorification of death.
Quite possibly the most underrated film in the Marvel Cinematic Universe is ‘Thor.’ (No, I’m not kidding. Yes, I will fight you.)
America has two Captain Marvels. One debuted last month but the original is hitting screens now, and ‘Shazam’ is a better movie.
‘Captain Marvel’ provides filler until the larger-scale ‘Avengers: Endgame’ arrives next month but seems lacking in commitment, ambition, and innovation.
Superhero movies, more than any other creation or institution of the last two decades, have created a common culture.
It is right to honor Lee; it is right to make a legend of him. He gave us myths we still find enchanting, both as audiences and as myth-makers.
We’re back to that original conflict of Season 1: What if the devil is stronger? What if he wins?
Critics pegged ‘Venom’ as not just a lower-rung Marvel film, but as one of the worst comic book films ever. Is it really that bad? Yes.
Of all of Marvel’s early ’60s characters, Ant-Man, alongside Iron Man, was the most politicized. Both were sturdy anti-Communists.
Not since Roger Moore’s turn as James Bond has an actor sleepwalked through a film like Rudd has here.
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