‘Deadpool 2’ has more action, laughs, and story than the first. It also tosses in enough heart to sweeten things up, without getting too sickening.
Thanos has a similar mindset to leftists of the past century or so. He believes anything can be justified if it forwards his well-intentioned agenda.
That the film paints Malthusian calculus in such an unflattering light just as a wave of editorials are confessing the unrealized horrors of population panic is one heck of a coincidence.
The Avengers, like us, have good intentions. But they aren’t really good. And we don’t really believe we are either.
Whatever your jam may be—fantasy, SF, action, horror, comedy, or melodrama—it’s guaranteed to be somewhere in this packed conglomeration.
Favreau is undoubtedly one of this generation’s most underappreciated talents.
The screenwriters somehow managed to make the character seem smaller and weaker inside a film that was supposed to be all about the Black Panther.
Yes, America, this is a story about the legacy of black pride and the civil rights struggle after the assassination of Martin Luther King Jr.
‘Justice League’ is more of the same action-packed boredom that Zack Snyder began in ‘Man of Steel’ and perfected in ‘Batman v Superman.’
Netflix can be happy that after duds like ‘Iron Fist’ and ‘The Defenders’ they’ve returned to something gritty that works without ridiculous fairy tales.
From the very first scene, ‘Thor: Ragnarok’ emits a strong message about vocation — that is, the roles in which one serves his or her neighbor.
So, does the film do away with Uncle Ben’s nugget of wisdom, ‘With great power comes great responsibility’? No, it’s just softer in this film.
This new ‘Spider-Man’ has none of the sweetness of the old comics or movies, none of the suffering—but all the gadgets and heroism audiences want.
‘Spider-Man: Homecoming’ affords the opportunity to compare Peter’s pursuit to wield super-powers responsibly with other, older heroes’ endeavors to do the same.
So long as James Gunn keeps dishing out fantastic music and witty dialogue, his films will offer audiences something no other Marvel series can.
‘Legion’ has shown filmmakers and showrunners how to make a bad guy very, very good.
Rather than on superpowers, FX’s ‘Legion’ focuses much more on treating (and supposedly saving) a broken man dealing with his demons, figurative and otherwise.
Keeping the focus on the action’s effects on the characters keeps characters central, giving us a human superhero story. Other Marvel movies lack this.
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