At exactly half the length of ‘Avengers: Endgame,’ ‘Brightburn’ efficiently delivers a simple but solid story that’s so fresh, frightening, and franchise-worthy you’ll wish you could binge on a sequel as soon as it’s over.
America has two Captain Marvels. One debuted last month but the original is hitting screens now, and ‘Shazam’ is a better movie.
Critics pegged ‘Venom’ as not just a lower-rung Marvel film, but as one of the worst comic book films ever. Is it really that bad? Yes.
Batman’s newfound lack of faith raises an interesting question: what do the rest of the folks in comic book land believe?
Fans are upset that, unlike the title character in ‘Batwoman,’ Ruby Rose is not Jewish and does not identify as a lesbian.
If Batman is about to become the C.S. Lewis of crime-fighting due to the crisis of faith evinced, that plotline isn’t evident in Issue 53.
If the successful crowdfunding trend continues, we could see a watershed moment in comics like the Amazon Kindle was to bookstores.
Just like the television show, ‘Teen Titans Go! To The Movies’ delivers a good time for people of all ages.
Batman is bigger than any one film or comic. He’s a myth that looms large over our culture, casting a wide and long shadow.
Antarctic Press was hit by a storm of industry professionals colluding to try to force conservative-authored competition out of the business.
Each of DC’s major characters is essentially a sun at the center of their own solar system. Their gravity is so strong they maintain multiple planets all on their own.
This little superhero film is a textbook in MacGuffin. It even has an extra featurette discussing the nature of MacGuffins.
This solid Batman film is continued proof that the problem with the DC live-action universe is more complex than simply blaming Zack Snyder or saying the films are too dark.
Ben Domenech covers this week’s flood of new on the Federalist Radio Hour including the snow ball of sexual assault allegation, the tax bill, and more.
‘Justice League’ is more of the same action-packed boredom that Zack Snyder began in ‘Man of Steel’ and perfected in ‘Batman v Superman.’
This is the level of writing in prestige television in its golden age: preemptive declarations of liberal grievances instead of a real plot.
Too often, Hollywood gives us attractive villains and bad-boy heroes. Our narratives are morally muddy. Thankfully, ‘Wonder Woman’ avoids this pitfall.
The new ‘Wonder Woman’ film transcends our political moment and offers something—or rather, someone—both inspiring and thoughtful.
The movie is wrapped up in faux Greek mythology, true, but there’s no mistaking the Christology here.
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