Jon Del Arroz is an award winning author of the bestselling novel, For Steam And Country. He is currently writing several space opera and steampunk books, as well as a graphic novel set to come out later this year. He can be found at: http://delarroz.com. Twitter: @jondelarroz
As mainstream sci-fi publishing has gotten more and more political, writers have discovered there’s a huge market for apolitical, independent books.
Over Thanksgiving weekend, social media blew up over an internet subculture of women who trade images of lewd acts for money.
If the successful crowdfunding trend continues, we could see a watershed moment in comics like the Amazon Kindle was to bookstores.
It seemed unimaginable a year ago to have to define what a mental disorder is to make an argument to even remain on social media, but this is how far the left has gone in big tech.
Samantha Bee and Roseanne Barr are only the latest example. Conservatives must get more vocal in holding leftists accountable to their own rules.
Antarctic Press was hit by a storm of industry professionals colluding to try to force conservative-authored competition out of the business.
The left-wing’s echo chamber of the internet is outraged at Swift’s new cover of Earth, Wind & Fire’s ‘September,’ which she released on Spotify.
Orson Scott Card and Aaron Johnston resurrect sci-fi the whole family can enjoy in the show hosted by BYUtv. I talked to Johnston about the show.
Instead of quietly discriminating as they’ve done in the past, now the Left is pushing to publicly shame artists and actors, including blacklisting people like Kevin Sorbo from public appearances.
C.B. Cebulski is the victim of manufactured identity politics outrage, in an attempt to get him fired before his work as editor in chief even begins.
If Oakland As catcher Bruce Maxwell’s grandstanding spreads to the rest of the MLB, baseball is at a much greater risk for its survival than the NFL is. Here’s why.
As we’ve seen in Hollywood, television, and comics, young adult fiction audiences have been tuning out of the traditional platforms and seeking independent entertainment.
By pushing so hard against half of the country, tech companies may have shown an Achilles heel, allowing freedom-centric competitors to get their feet in the door.
Their comic books have lost their core of good storytelling, and are instead pandering to social justice warriors and offering phony diversity pushes.
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