The left has been telling women for a generation that they’re our best chance to build our hopes for justice and equality into a new edifice of rights and protections. Their support for transgenderism proves it all a lie.
It’s laughable to argue that anyone who wrote — or read — the Civil Rights Act of 1964 understood ‘sex’ to mean anything other than male or female.
The ruling will lead to a tsunami of polarizing court cases and further degradation of Americans’ natural rights to free speech, to free association, and to worshipping God as their consciences require.
J.K. Rowling has held the line on refuting transgender rhetoric, and for gender-critical women and real feminists, this is a glorious moment.
‘Mrs. America’ tries to paint Phyllis Schlafly as cold and unforgiving, but the conservative icon my grandmother and I knew was nothing of the sort.
The same Democrats who so desperately want to win back the voters they lost to Donald Trump in 2016 are unwilling to see them as unique and individual voters, continuing ever to view them only as a caricatured group.
‘We have to make space in our culture for their voices, and I see Lana Del Rey’s frustration as similar to Phyllis Schlafly’s.’
Conservatives calling out hypocrisy aren’t rewriting history. We’re ignoring the New York Times’ semantic diversion to hold Democrats accountable to the standard they created. Will they #BelieveWomen or not?
The real irony this dust-up reveals is how a supposedly savvy, feminist hookup artist can bomb her entire career in a surrender to her boyfriend’s meddling.
Just as has happened in our economy dominated by finance capitalism, feminism brought outsized benefits to a few in exchange for the suffering of many.
Those who objected to the ‘believe women’ injunction did so not because they hated women or failed to hate rape, but because they discerned its shortsightedness and potential for abuse.
Feminism on the whole has never been about true equality. As Tara Reade has discovered, its privileges extend only to those who respect the feminist identity-politics alliance.
Even after 35 hours of interviews, 2,000 hours of behind-the-scene footage, and copious amounts of vintage B-roll, Nanette Burstein’s documentary doesn’t tell viewers anything new about Hillary Rodham Clinton.
In Margaret Atwood’s ‘The Testaments,’ she expands upon the dystopian vision created by ‘The Handmaid’s Tale,’ and reveals political complexities that many ardent fans overlook.
To Hollywood, Schlafly was either a confused victim suffering from a chronic case of Stockholm syndrome or a purely evil, power-hungry denigrator of women — or both.
My mother Phyllis Schlafly made quite a name for herself in the fight over the Equal Rights Amendment, but here are a few little-known facts about her.
‘Mrs. America’ promotes a number of outright falsehoods about the grassroots conservative leader Phyllis Schlafly, according to the late activist’s biographer.
If ‘Mrs. America’ producers tried to dim the bright legacy of Phyllis Schlafly, their efforts fell flat.
The series producers made an enormous error in thinking that Phyllis Schlafly’s ideas would sound as ridiculous to the average American as they do in Hollywood.
With the revived push for the Equal Rights Amendment has come a revived push to cast Phyllis Schlafly as a historical villain. These are revisionist efforts informed by ideological bias more than fact.
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