Jon Stewart’s sassy segment mocking Lin-Manuel Miranda in 2009 did not age well.
Washington D.C. taxpayers are footing the bill for a $2 million light installation under bridges where sidewalks are lined with tents.
It’s easy to mock Jeff Koons’s inflatable bunny selling for $91 million at auction this week. But it really is that good.
No tears fall for these parishes in Florida’s panhandle, devastated by hurricanes, that lack the supernal sheen of great architecture.
Even if you’re not very knowledgeable about Chinese art, you’ll find this is an astonishing show—rich in beauty and history, well-curated, and leaving visitors wanting to learn more.
Even centuries after its creation, the works in this exhibition challenge us to think whether we are so very different or so much more advanced today than the people Rembrandt depicts.
If Americans resist the urge to huddle in niches and use entertainment for validation and pleasure, they will continue progressing towards a brighter future with stronger communities.
Written by Anaïs Mitchell, directed by Rachel Chavkin, the story follows the twisted love stories of both Orpheus and Eurydice and Hades and Persephone.
There are lots of Christian places all over this world. If you’re traveling in the United States this summer, why not add a Christian cultural stop to your itinerary?
In this single work, Tintoretto manages to demonstrate his astonishing artistic skill, while simultaneously evoking the wealth and power of the Venetian Republic.
A conversation with humorist MADEbyJIMBOB (@madebyjimbob) on content suppression, late-night comedy, and the importance of satire in our political moment.
The first major exhibition dedicated to Giovanni Battista Moroni’s work ever mounted in the United States opened recently at the Frick Collection in New York.
What happens when you come to own a very old painting that’s in need of some tender loving care? For pity’s sake, don’t break out the soap and water.
On this day in 1989, a fatwa ordering the murder of Salman Rushdie was announced. Are we closer or farther to the goal of free expression today?
Rather than criticizing the ‘art’ and the artist herself (which is plenty easy to do), Ivanka is standing up for the teenager who’s getting paid to have crumbs thrown at her.
Always thinking about the mythology he was inventing, Tolkien would draw on any paper that came to hand as he imagined the peoples and cultures of Middle-earth.
The irony, of course, is that the exhibit reflects every stereotype feminists claim to stand against, oversexualizing Ivanka’s body and ignoring her hard work.
‘Public art is an idiotic type of private art that should be in a whitewall gallery, safely away from the general public, amongst the cultural psychopaths to whom it ministers.’
Pan-religious sentimentality survives in the current pope’s apparent embrace of Islam as morally equivalent to Judeo-Christian ethos and culture.
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