A new four-part documentary on Netflix delves into what many call the greatest art robbery of all time.
Forget cryptocurrencies — there’s a whole brave new world out there of crypto art, where ‘original’ copies of internet memes are selling for millions.
While it may not be as good as being there, the exhibition and the accompanying catalog help us to eagerly look forward to when we can go back to Spain.
With theaters slated to be dark until May 2021, theater-lovers have had little to fill their imaginations. Enter ‘Voyeur,’ an immersive walking tour through Manhattan’s West Village
When Brigitte Benkemoun acquired a used address book, she untangled its fascinating contents to paint a picture of the life and times of the famed owner, Dora Maar.
The fact that the Eisenhower memorial fails to inspire either admiration or ire raises the question of what was the point in having North America’s most prominent ‘starchitect’ involved.
The argument is that we should suspend moral judgment, that the film is a work of art with a complicated meaning, and the real problem is one of interpretation.
As civilization crumbles around us, Bradbury and his fiction offer several primordial lessons we would be prudent to reconsider.
Renowned painter Rupert Alexander sits down with The Federalist’s art critic William Netwon to discuss how a portrait artist can continue in a pandemic.
If perpetuating a white, patriarchal culture in any capacity is enough to merit monument takedown, nearly all statues are subject to removal, not just those of Confederate generals.
It’s time for our society to awaken from its media-induced slumber and demand human-scale architecture once again.
Talented artist Rebecca Coffin Anderson hopes landscapes and the concept of ‘place’ can spark important conversations that bring Americans together.
One North Dallas man is seizing the rare opportunity to meet and encourage his neighbors with music and art, all from a safe distance.
What I found was not only far more complex than I had anticipated, but also challenging to my preconceptions of Edgar Degas as little more than the Maurice Chevalier of painters.
The two friends created works that are not only aesthetically pleasing, but also show how presentation is just as important to overall success as is content.
‘Raphael and His Circle,’ which opened recently at the National Gallery of Art, brings together works from the museum’s collections of prints and drawings by the master and his associates.
Nothing riles the cultural relativists and totalitarians more than the classical Western canon. The movement to bring back classical architecture in both Britain and the United States is long overdue.
Classical architecture offers the possibility of restoring beauty to gain respect for the work public buildings do in contributing to the common good.
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