Set 10 years after the events of the series finale, HBO and David Milch deliver an intense, moving portrait of life and death at the end of the Wild West.
The Joker turns assassin in an episode about fathers and sons — real, imagined, and lost.
Unfortunately, beauty isn’t everything in storytelling, and the story told here is about as graceful as a limping billy goat.
HBO’s ‘Sharp Objects’ constructs a compelling mystery within a mystery, leaving audiences to wonder if the two conclusions will ultimately be the same.
Technically two separate episodes that ran back-to-back, ‘Occupation’ and ‘Precipice’ launched the critically lauded but controversial Season Three.
The cliffhanger first-half finale of Season 2 features the miraculous appearance of a long-lost ally who ultimately becomes a formidable foe of Cdr. Adama.
The rag-tag fleet has survived a political crisis, but after even the discovery of a signpost to Earth, there is a constant struggle to maintain morale as people realize their old lives have ended.
The Cylons’ faith drive them to nightmarish experiments on humans, while Pres. Roslin pursues her vision and finds a signpost to Earth.
Maybe the nice kid fit the Reagan years, when it was morning in America, but in the age of Trump, you need to toughen up and deal with the misery.
Season two picks up from the season one cliffhanger and gets darker still, with the main cast growing even more divided, physically as well as philosophically.
‘You can put micro doses of LSD in your cereal and people will call you a pioneer. But the one thing you cannot be is a Christian.’
The anti-gun message is an ill-fitting exception to what is otherwise an apolitical show, and is simply not believable as a plot point.
Identities will (probably) be revealed. Lives will (probably) be turned upside down. This is it. The much-anticipated payoff is coming.
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