‘Wine Country’ is outright cringe-inducing from start to finish, save for a merciful flash of comedy every 20 minutes or so. Not even a bottle of cab can dull the pain.
‘Friends’ is so valuable to Netflix that it reportedly cost the company $100 million to renew its rights to the show this year. That’s more than three times the previous price of $30 million.
Anthony Jeselnik’s new 15-minute joke about abortion is something of a statement on both his deadpan act and the issue itself.
Progressives think corporations engaging in political messaging is bad, unless it’s a corporation like Netflix pushing a leftist agenda.
Still, don’t let the film fool you into thinking plucky political insurgents who fancy socialism are necessarily better than the status quo alternative.
It’s okay that we have a gendered and trivializing label for these movies because they’re reasonably gendered and reasonably trivial.
Netflix’s ‘Traitors’ seems to have all the ingredients of a great television show, but built its entire story around an ill-researched political stance.
Ben Domenech interviews Canadian Comedian Sugar Sammy on the Federalist Radio Hour.
Netflix’s ‘The Highwaymen’ shows Kevin Costner and Woody Harrelson in top form, honoring their characters while acknowledging their flaws.
Schumer wants to be a woke comedian, to deliver punchlines with purpose, but her persona was built on questionable morals. She’s having an identity crisis.
In Netflix’s ‘The Boy Who Harnessed the Wind,’ viewers follow a 14-year-old who constructed a wind turbine and saved his family from starvation.
Netflix’s ‘Triple Frontier’ is a movie about the one thing that’s been banished from our entertainment—friendship between men.
‘Dating Around’ marks Netflix’s foray into reality television, but the show also represents something you could probably call Prestige Reality TV.
Tina Fey, who created ‘Kimmy Schmidt,’ enjoys mining partisan politics for laughs, and she’s capable of doing it without using comedy as a thin pretense for DNC propaganda. Hers is a rare approach.
‘Russian Doll’ is a great watch for those long nights where you want to indulge the fantasy of getting a whole-life do-over.
While the Academy is happy to crow about diversity, another kind of intolerance remains at play regarding films like ‘Roma.’
You don’t have to put off important milestones. Don’t let the outside institutions, or your checking account, dictate your life.
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