This year’s Emmy nominees, announced on Tuesday, offer helpful insights on small-screen trends.
The themes about growing up are relatable, the nostalgia is real, and the monster-fighting remains legitimately scary. ‘Stranger Things 3’ is excellent.
In the third season of Netflix’s ‘Stranger Things,’ the story is centered on eroticism instead of friendship.
The hypothetical Netflix user who’s spent years toggling between ‘The Office,’ ‘Friends,’ and the company’s original content will need at least three subscriptions by 2021 to keep their status quo.
It’s just too good to go on forever. Wallowing in ’80s nostalgia is healthy when done in moderation, but too much could make for disappointing outcomes.
Maybe the late night talk show is a habit of older generations: people who don’t have Netflix and wouldn’t watch Michelle Wolf if they did.
‘Murder Mystery’ is about what you would expect from a straight-to-Netflix summer comedy—and maybe even a little better.
Based on the novel by Kirsten Smith, ‘Trinkets’ does not skimp on the crazy, spiraling plot, or on the strength of teen girl friendship.
The new Netflix original mini-series exposes the dark heart of American hatred with all the trappings of ‘Law and Order’ we love.
Netflix let Jeff Ross play with the concept of ‘Historical Roasts’ for six half-hour installments, and the results were pretty mixed.
This might be the least ‘Black Mirror’-ish series to date, and a possible start to the show’s mature period. That’s a good thing.
It’s sort of terrifying to see a robot nurse cradle a baby. The child grows, with no human contact. Daughter smiles at Robot Mother, although she’s never seen a human smile.
Ali Wong’s ‘Always Be My Maybe’ is at once charming and funny, leaving nearly all of the raunch and shock on the cutting room floor.
Consumers should fight back and let Netflix know that it can’t transplant its values to Georgia or any other state exercising its system of democracy.
Hollywood attempted to extort the state of Georgia over its heartbeat abortion bill. Now that it passed, their script has changed.
‘Wine Country’ is outright cringe-inducing from start to finish, save for a merciful flash of comedy every 20 minutes or so. Not even a bottle of cab can dull the pain.
‘Friends’ is so valuable to Netflix that it reportedly cost the company $100 million to renew its rights to the show this year. That’s more than three times the previous price of $30 million.
Anthony Jeselnik’s new 15-minute joke about abortion is something of a statement on both his deadpan act and the issue itself.
Progressives think corporations engaging in political messaging is bad, unless it’s a corporation like Netflix pushing a leftist agenda.
Still, don’t let the film fool you into thinking plucky political insurgents who fancy socialism are necessarily better than the status quo alternative.
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