By arguing that characters must be played by actors who share their inherent characteristics, Halle Berry and the rest of the left are effectively limiting possibilities for minority actors.
The ‘Top Chef’ producers constantly find themselves trapped in a dilemma: how to appear to be a thrilling, objective competition while appealing to woke sensibilities.
HBO Max has already demonstrated the bravery of capitulation by temporarily pulling ‘Gone with the Wind.’ Now it’s time for them to permanently pull the plug on ‘Looney Tunes.’
While ‘Space Force’ is definitely intended as a satire, it makes some rather compelling points about the essential nature of exploration.
These television reunions demonstrate the creativity (and lack thereof) that can arise when content must be created under social distance.
Cop shows and detective mystery series are the most popular shows on television. They’re not going anywhere anytime soon, despite what The Washington Post says.
To put it concisely: The Real Housewives of Beverly Hills are sustaining the illusion of propriety, the Real Housewives of New York are abandoning it.
The streaming wars are heating up, as John Krasinski’s ‘Some Good News’ signs on with CBS, ‘Hamilton’ heads to Disney Plus, and Tom Hanks’ new war movie goes straight to Apple TV.
Norma McCorvey went from being a lesbian abortion advocate to a born-again Catholic and pro-life spokeswoman. Upon her death, she said it was all a lie — but which part?
In ‘Little Fires Everywhere,’ it’s interesting to see the ’90s reflected from this distance of more than 20 years. But the identity politics is suffocating.
Pump Rules’s sometimes grimy studio-apartment aesthetic worked on a network defined by luxury because its stars were fueled by an intense, American desperation to ‘make it’ in Hollywood.
At the end of the day, ‘Hollywood’ doesn’t care about telling a compelling story about interesting people, but is intent on demonstrating the importance of representation in media.
The fifth season finale of ‘Outlander’ just aired on Starz and wow, it was stunning. It was also the last new episode to air for at least a year.
In its stark portrayal of an atheistic afterlife, Amazon’s new series ‘Upload’ shows that a belief in God offers a greater understanding of human potential than a life without him.
The captures captures the reality of the pandemic as normal people are experiencing it, not late-night hosts or news anchors or celebrities.
In chronicling the 1997-98 Chicago Bulls’ season, ‘The Last Dance’ illustrates Michael Jordan’s level of exhaustion.
‘Outer Banks’ seems to want to be taken seriously, to make a comment on society, life, wealth, and privilege, but its convoluted plot renders its efforts meaningless.
In a world brought low by pandemic, economic upheaval, and overall weariness, we can celebrate once again. Nicolas Cage is the Tiger King.
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