Instead of relying on subtlety and letting the source material shine, the filmmakers succumbed to the allure of cheap gore and bad casting.
The film implies the dead should have been left alone for their souls to enter the afterlife, but filmmakers chose not to beat viewers over the head here.
We are a culture awash in self-acceptance. This is seldom more apparent than in the way we speak of—and try not to speak of—abortion.
Netflix’s ‘The Highwaymen’ shows Kevin Costner and Woody Harrelson in top form, honoring their characters while acknowledging their flaws.
In Netflix’s ‘The Boy Who Harnessed the Wind,’ viewers follow a 14-year-old who constructed a wind turbine and saved his family from starvation.
The story of Abby Johnson, a former Planned Parenthood clinic director turned pro-life activist, should remind us all that abortion hurts living babies.
It explores dynamics within the pro-life movement between sidewalk counselors who offer hope to women and protestors who take a more aggressive approach.
Netflix’s ‘Triple Frontier’ is a movie about the one thing that’s been banished from our entertainment—friendship between men.
‘Apollo 11’ is mythical and patriotic, but does not eschew the hard science that was required to get Americans on the moon.
National Review’s Critic-at-large Kyle Smith joins the Federalist Radio Hour to discuss movies, television, and this year’s Academy Awards.
Catch Washington Post Film Critic Ann Hornaday on this episode Federalist Radio Hour.
This family film underscores a type of love that doesn’t die after stepping aside. Instead, mundane mystery that it is, friendship becomes fulfilled and glorified when it makes way for life.
It’s a time for the Oscars to celebrate stories that challenge us to be the best we can be and give us heroes to emulate.
David Azerrad argues that identity politics fosters hatred, and a school of thought that believes that America is a supremacist regime, and an oppressor of people groups.
Audiences tend to like the hero’s journey, not moviemakers who bludgeon audiences over the heads with morals and forced progressivism.
Liam Neeson has built a career on wielding guns in Hollywood-created action movies, but he still demonizes gun owners and manufacturers.
After a scandal breaks, how should a movie company deal with all the films that are in production and slated for release?
This podcast should be fantastic. The premise of a charismatic comedian experiencing many of these treasured movies for the first time held promise.
‘Mary, Queen of Scots’ is as disappointing for a student of history as Netflix’s ‘Anne with an E’ is to any devoted fan of Sullivan’s true classic.
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