The film explores race and poverty through personal stories that leave the audience to reconcile with the tragic side of American governments’ treatment of minorities and the poor.
Through a strange series of comic circumstances, Guy Ritchie’s new heroes band together against mysterious enemies in the first marijuana heroism movie.
In “Last Full Measure,” top Marvel actors Sebastian Stan and Samuel L. Jackson lead a star-studded cast in a Vietnam War drama that spotlights how much military families give their nation.
Adam Driver stars in a movie that attempts to tell the story of the Senate Intelligence Committee’s infamous ‘torture report,’ but it gets the story badly wrong and tries to lionize a dishonest partisan hitman.
‘Cats’ was so bad that the only reasoning I can come up with for its badness is that it was a plot by dogs to make cats as unappealing as cosmically possible.
‘1917,’ which follows the release of Peter Jackson’s groundbreaking World War I documentary by one year, shares a story of selflessness and honor through technically dazzling cinematic effects.
It goes against every piety of the liberal elites to portray the hippies as evil, but Quentin Tarantino points out that the new liberation spawned a murderous cult in Hollywood.
As a lifelong Star Wars fan, I loved ‘The Rise of Skywalker’ because it reminded me of all the reasons I adore the franchise.
We’ve all seen filmmakers’ cookie-cutter wokeness. ‘Richard Jewell’ shows us something new and relatable through an American libertarian lens — and audiences could use more of that.
At the end of the day, ‘Marriage Story’ is a film about a competitive marriage in which the wife disempowers her husband in order to empower herself.
The film’s message isn’t so much that neither government nor media is to be trusted, but for Americans to ask themselves why they should trust either.
Elements that should have been the film’s strengths — including an interesting real-life cast and a compelling narrative about Richard Jewell, the 1996 Atlanta Olympic bombing, and the media — are squandered.
The new in-theaters release ‘Knives Out’ is inventive, entertaining, surprisingly political, and not without an emotional tug.
Director Taika Waititi lures us in with what makes us laugh, then shows us his true brilliance by making us cry.
It may have bombed at the box office, but ‘Terminator: Dark Fate’ proves why the franchise will continue to resonate with fans.
‘Maleficent: Mistress of Evil’ is a boring fairy tale that forgets what fairy tales are all about. Instead of trying to show us the dark side of fairy stories, Disney should remember that it’s the light that keeps us coming back to theaters.
‘Jojo Rabbit’ turns the decidedly unfunny World War II-era novel ‘Caging Skies’ by Christine Leunens into a zany slapstick farce.
‘Joker’ is such an original and immersive journey into madness that its distracting comic-book connection could be considered a drawback.
‘Hustlers’ is stimulating, but for reasons that have little to do with stripping. It’s a class commentary at heart, and a surprisingly neutral one.
Renée Zellweger gives a heartbreaking portrayal of Judy Garland in the last year of her sad life and declining career in the fictionalized but affecting ‘Judy.’
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