It may have bombed at the box office, but ‘Terminator: Dark Fate’ proves why the franchise will continue to resonate with fans.
‘Maleficent: Mistress of Evil’ is a boring fairy tale that forgets what fairy tales are all about. Instead of trying to show us the dark side of fairy stories, Disney should remember that it’s the light that keeps us coming back to theaters.
‘Jojo Rabbit’ turns the decidedly unfunny World War II-era novel ‘Caging Skies’ by Christine Leunens into a zany slapstick farce.
‘Joker’ is such an original and immersive journey into madness that its distracting comic-book connection could be considered a drawback.
‘Hustlers’ is stimulating, but for reasons that have little to do with stripping. It’s a class commentary at heart, and a surprisingly neutral one.
Renée Zellweger gives a heartbreaking portrayal of Judy Garland in the last year of her sad life and declining career in the fictionalized but affecting ‘Judy.’
What is it about this character that has made everything from his image to the melancholy trumpet dirge originally composed by Jerry Goldsmith for his character so appealing to many Americans?
‘Rambo: Last Blood’ is Sylvester Stallone’s Donald Trump movie, all about the need to defend the border from the terrifying criminals who rule over fearful citizens in Mexico.
The ‘Downton Abbey’ movie was not really a film, but a two-hour episode on the silver screen. Fans of the beloved series will be enchanted.
Although the plot is just about pointless, it does well as a means to tie up the stories of these beloved characters in a tidy ending to a complicated tale.
‘Downton Abbey’ devotees will be delighted by the big-screen debut of the series that made post-Edwardian elegance so irresistible for six seasons.
Whereas It the creature assumes the form of whatever its prey fears most, ‘It’ the pop-culture phenomenon takes the form of whatever mass audiences and woke critics crave the most, manifesting most often as a mess.
The new ‘Dora the Explorer’ film turned out to be a cute live-action kids movie, considering it derived from the most annoying animated show ever made.
If you go into ‘Hobbs and Shaw’ expecting anything other than a goofy, over-the-top action film, then you will be gravely disappointed.
From 1960s Hollywood glitz and glamour to Manson clan crime, Quentin Tarantino’s latest creation promises a wild and terrific ride.
After 11 years of story-building, Marvel finally gave audiences a sense of completeness, showing it’s not always the journey but the conclusion that counts.
‘Stuber’ showcases the hypocrisy endemic in Hollywood, which admonishes Middle America for holding retrograde or taboo values while fiddling with those same values and laughing all the way to the bank.
‘Spider-Man: Far From Home’ is Peter Parker’s most entertaining adventure yet.
For the past 15 years, I’ve listened when fans offered their glowing opinions of ‘The Notebook.’ But on this anniversary, I’ve chosen to break my silence.
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