The ‘Downton Abbey’ movie was not really a film, but a two-hour episode on the silver screen. Fans of the beloved series will be enchanted.
Although the plot is just about pointless, it does well as a means to tie up the stories of these beloved characters in a tidy ending to a complicated tale.
‘Downton Abbey’ devotees will be delighted by the big-screen debut of the series that made post-Edwardian elegance so irresistible for six seasons.
Whereas It the creature assumes the form of whatever its prey fears most, ‘It’ the pop-culture phenomenon takes the form of whatever mass audiences and woke critics crave the most, manifesting most often as a mess.
The new ‘Dora the Explorer’ film turned out to be a cute live-action kids movie, considering it derived from the most annoying animated show ever made.
If you go into ‘Hobbs and Shaw’ expecting anything other than a goofy, over-the-top action film, then you will be gravely disappointed.
From 1960s Hollywood glitz and glamour to Manson clan crime, Quentin Tarantino’s latest creation promises a wild and terrific ride.
After 11 years of story-building, Marvel finally gave audiences a sense of completeness, showing it’s not always the journey but the conclusion that counts.
‘Stuber’ showcases the hypocrisy endemic in Hollywood, which admonishes Middle America for holding retrograde or taboo values while fiddling with those same values and laughing all the way to the bank.
‘Spider-Man: Far From Home’ is Peter Parker’s most entertaining adventure yet.
For the past 15 years, I’ve listened when fans offered their glowing opinions of ‘The Notebook.’ But on this anniversary, I’ve chosen to break my silence.
‘Yesterday’ is relentlessly unamusing and thoroughly unconvincing in its tale of a struggling musician becoming the only person in the world who knows The Beatles ever existed.
If this is the final bow for the franchise, ‘Toy Story 4’ will be ending on a note so high that it should be one of the year’s Best Picture nominees.
‘Murder Mystery’ is about what you would expect from a straight-to-Netflix summer comedy—and maybe even a little better.
We get the same daring boys who are essentially stupid, but have good hearts, and the same brainy girls who are very shy, with no experience of the world, but turn out to win in every conceivable situation.
While visually slick, ‘Ice on Fire’ is filled to the tipping point with scare tactics, doomsday predictions, and unreasonable proposals.
It’s sort of terrifying to see a robot nurse cradle a baby. The child grows, with no human contact. Daughter smiles at Robot Mother, although she’s never seen a human smile.
The final X-Men outing gives the iconic Phoenix Saga a second try, learning nothing from the mistakes of the past and delivering an ending sure to disappoint even the most forgiving fans.
Ali Wong’s ‘Always Be My Maybe’ is at once charming and funny, leaving nearly all of the raunch and shock on the cutting room floor.
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