‘Cruel Summer’ is exactly as advertised — a shallow, lurid teen mystery with some fun and little substance — that devolves into harmful clichés.
The ‘Gossip Girl’ reboot will include an in-your-face political agenda, complete with threesomes, same-sex couples, and the characters wrestling with their privilege.
The switch from Mayim Bialik to Savannah Guthrie behind the lectern resumed the parade of leftist news anchors as ‘Jeopardy!’ guest hosts.
‘People in our business don’t make money from making movies. Hollywood has its own top one percent and the bottom 99. Our movie is about the bottom 99.’
Two consenting adults in the bedroom is an ‘LGBT issue.’ Parents pimping out their children for entertainment and political points is a disgusting league all its own.
‘In the Heights’ wastes its gorgeous score and likable characters on confusing plots and motivations in an odd adaptation of a spectacular musical by ‘Hamilton’ creator Lin-Manuel Miranda.
Longtime host Chris Harrison is officially exiting stage-left from Bachelor Nation, after cancel culture squeezed him out.
With its moody atmosphere and a phenomenal star turn, HBO’s ‘Mare of Easttown’ is a phenomenal tale of intrigue and tragedy.
An entitled search for self-gratification is what makes ‘Virgin River’ so forgettable, and the modern attitude toward romance so unfulfilling.
If loving Harajuku so much that you stylize your art around it is the equivalent of a minstrel show or blackface, then how are we supposed to qualify flagrant acts of racism?
Modern women follow a set of rules that are supposed to make them happy when followed. But the rules aren’t based on anything other than an entitled, self-obsessed, victimization complex.
On this episode of The Federalist Radio Hour: How corporate sports outlets are missing opportunities to meet the demand for non-woke sports.
While Saturday’s episode drew eyeballs, the final product was characteristically lacking.
Consumer watchdogs report that more and more extreme content is making its way into ‘kids’ channels. Technology alone cannot solve the complex problem of monitoring children’s media consumption.
Even with pandering like Chloe Zhao’s Oscars speech, will Zhao and Disney be able to right the ship with Communist China?
Enter ‘Fearless (Taylor’s Version),’ which is taking longtime Taylor Swift fans back to a bygone era of 15-year-old crushes and dancing on rainy streets.
A spot at a top university is like a commodity to be purchased and shown as a prize.
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