Ansari, no longer sourcing from the life experiences of a single 20-something who likes food and soft sheets, evoked mid-life concerns relatable to so many.
Following a recent surprise performance at Brooklyn comedy festival, Skankfest, the venue publicly apologized after pressure from many who found out that the disgraced comic had made an appearance.
‘Yesterday’ is relentlessly unamusing and thoroughly unconvincing in its tale of a struggling musician becoming the only person in the world who knows The Beatles ever existed.
The new show is fun, clever, and easily worth ten minutes of your time.
Jon Stewart’s sassy segment mocking Lin-Manuel Miranda in 2009 did not age well.
‘Murder Mystery’ is about what you would expect from a straight-to-Netflix summer comedy—and maybe even a little better.
We get the same daring boys who are essentially stupid, but have good hearts, and the same brainy girls who are very shy, with no experience of the world, but turn out to win in every conceivable situation.
Netflix let Jeff Ross play with the concept of ‘Historical Roasts’ for six half-hour installments, and the results were pretty mixed.
The political cartoon has always been a dangerous polemic tool. The New York Times has decided that in our politically correct time it’s too hot to handle.
In the late-night wars, Jimmy Fallon might want to start looking at Stephen Colbert as more of a blessing than a curse.
Ali Wong’s ‘Always Be My Maybe’ is at once charming and funny, leaving nearly all of the raunch and shock on the cutting room floor.
With one last night of high school ahead of them before graduation, these ‘Booksmart’ girls decide to get crazy, with big goals.
Revisiting ‘All In The Family’ and ‘The Jeffersons’ provided a great opportunity for nostalgia—a sentiment that was perhaps ABC’s greatest success.
‘Wine Country’ is outright cringe-inducing from start to finish, save for a merciful flash of comedy every 20 minutes or so. Not even a bottle of cab can dull the pain.
In an era where comedy has been neutered in the name of political correctness, ‘Veep’ remained wholly unconcerned with who it might offend.
In an era when even comedians question the value of comedy, ‘Veep’ proved the enduring value of sharp edges.
Here’s why it’s possible that Anthony Jeselnik’s latest special engages in some subtle trolling of his ex-girlfriend Amy Schumer.
Anthony Jeselnik’s new 15-minute joke about abortion is something of a statement on both his deadpan act and the issue itself.
Laziness is the central characteristic of the age of infotainment. Conflating news and entertainment means less effort goes into reporting and humor.
Ben Domenech interviews Canadian Comedian Sugar Sammy on the Federalist Radio Hour.
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