In a time men are portrayed at best as fools and at worst as oppressors, ‘Onward’ is a breath of fresh air. The story shows the importance of fatherhood and the consequences of its absence.
To launch the new year in appropriately oblivious fashion, The Hollywood Reporter has an article out condemning ‘Toy Story 4’ for a litany of social transgressions.
If this is the final bow for the franchise, ‘Toy Story 4’ will be ending on a note so high that it should be one of the year’s Best Picture nominees.
Instead of telling stories and developing compelling characters, children’s movies today prefer to promote boring feminist and anti-family propaganda.
Most of the films nominated for Best Picture that year justly disappeared down the memory hole, while ‘WALL-E’ remains as vibrant and striking as ever.
Not only does the movie get its themes confused when it comes to the villain, its plot is an embarrassment.
This weekend, ‘The Incredibles 2’ hits theaters, 14 years after the original. Before you go see the new movie, let’s talk about the original.
There’s nothing wrong with making a movie that won’t receive Oscar buzz, or break records, or cause its viewers to have an existential crisis.
The central conflict opposes loyalty in love to a dangerous individualism. Who would have thought that Hollywood would take on celebrity culture?
I most enjoyed that Hollywood’s nod to girl power in ‘Cars 3’ represented reality, not Lightning McQueen being woke. Well, as much as anthropomorphic cars live in reality.
Disney’s ‘The Princess and the Frog’ is clearly superior to ‘Frozen,’ and its main character Tiana deserves revisiting and reevaluation.
Brad Bird is one of the few screenwriters for big-budget action movies who’s both willing and able to inject ideas into his scripts, most recently in ‘Tomorrowland.’
Pixar’s latest, a romp inside the head of a tween girl called ‘Inside Out,’ is worth seeing, but possibly not in twenty years.
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