In contrast to mediocre Disney remakes, here are ten times the Magic Kingdom managed to reimagine rather than ruin their family entertainment classics.
If this is the final bow for the franchise, ‘Toy Story 4’ will be ending on a note so high that it should be one of the year’s Best Picture nominees.
Audiences tend to like the hero’s journey, not moviemakers who bludgeon audiences over the heads with morals and forced progressivism.
Although it seems doomed for box office failure, ‘The Kid Who Would Be King’ stands out as a children’s movie that refuses to rehash the same old lessons.
Instead of telling stories and developing compelling characters, children’s movies today prefer to promote boring feminist and anti-family propaganda.
Most of the films nominated for Best Picture that year justly disappeared down the memory hole, while ‘WALL-E’ remains as vibrant and striking as ever.
From a standard SJW storyline of female empowerment and male incompetence, the film diverges into a much more interesting, universal, and realistic set of conclusions.
In the case of a bull who’d choose peace under his cork tree over fame with the matadors, we might argue that he chose the better. But our world is not the fictitious world of Ferdinand.
I most enjoyed that Hollywood’s nod to girl power in ‘Cars 3’ represented reality, not Lightning McQueen being woke. Well, as much as anthropomorphic cars live in reality.
Director Mark Osborne takes this classic tale and weaves it into a larger narrative, one that breathes new life into the simple story of a boy and his rose.
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