‘The Magicians’ is a show for discerning, imaginative adults, and the realms of magic aren’t the only netherworlds it explores.
What are we doing when we divorce sex not only from procreation and consequence, but from humans and humanity?
Although its owner claims rape is not the sort of behavior his doll brothel encourages, once the boudoir doors are closed the customer can do as he pleases.
While many articles stress that children need to be reassured against the potential for impending doom, I am also loathe to lie to my child.
For fancy whites secure in their retirement assets and NPR tote bags, watching this family sink to new lows brings out their worst fears of losing the stability of wealth.
Transhumanism proposes that the future of humankind is to not be human at all. The brain is not just a meat computer, it is a physical entity.
All of these marvelous advancements in femme-engineering can only mean one thing: it’s time to admit that the planned obsolescence of the female on Earth is nearly complete.
The kids in ‘Stranger Things’ must rely on each other and the legends of which they are a part for answers about how to grow up and navigate the supernatural dysfunctions of their exurban Indiana town.
It’s cute because we imagine this kiddie cos play is merely a surface representation of adult sexual attraction, and that the kids are innocent to what lies beneath painted nails and peep-toe shoes.
Sadness as a temptation is not the one we usually hear about. But it’s real.
Saudi Arabia has sentenced Ashraf Fayadh to death for love poetry.
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