Director Joel Schumacher died on Monday, at age 80. With a decades-long career, Schumacher has made many iconic and fantastic films, entertaining and inspiring generations.
With all of the discussion of “white male rage” surrounding the Oscar darling, why is Harley’s solo feature portrayed as heroic?
There was nothing enjoyable, moving, or engaging about ‘Joker,’ which decided to trade an interesting story and compelling characters for a grim tone.
On this episode of “The Fray” on SiriusXM, Ben Domenech and Emily Jashinksy discuss the bigger message about society that many have dismissed in the new ‘Joker’ movie.
‘Joker’ is such an original and immersive journey into madness that its distracting comic-book connection could be considered a drawback.
The all-time debut of Harley Quinn highlights a top episode of the series.
The shape-shifting Clayface debuts in a very good yet mildly disappointing two-parter.
Bruce Wayne takes the lead in debunking a fortune teller’s scam on Gotham’s elite.
In this animated ‘Batman’ episode, Adam West plays an actor typecast as a masked hero in a commentary on fandom.
An invisible man––an ex-con driven by a desire to reunite his family––becomes the first legitimately successful original villain of the series.
Catwoman’s introduction is a very mixed bag of artistic highs and lows in this animated production of the Batman storyline.
Mr. Freeze is reimagined in arguably the best episode of the series.
A poor introduction of the Penguin makes for one of the series’ weakest episodes.
A dark episode involving addiction pays homage to classic gangster movies.
Two-Face’s thematically rich origin story is among the top episodes of the series.
The Joker turns assassin in an episode about fathers and sons — real, imagined, and lost.
In a flawed episode, Batman does not arrive until the final act. The wait is worth it, even if parts of the plot are hackneyed and overdone.
Officer Renee Montoya, a character created for the series, gets her true introduction in an episode without a super-villain.
The series’ first original villain—the Sewer King—is a dud who fails to capitalize on obvious themes of the Batman mythos.
The introduction of Poison Ivy reveals more about Bruce Wayne – and the ambitions of the series.
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