Empty movies that mean only to virtue signal leave people wondering if it’s possible to create a quality superhero movie with minority leads.
‘Spider-Man: Far From Home’ is Peter Parker’s most entertaining adventure yet.
It is right to honor Lee; it is right to make a legend of him. He gave us myths we still find enchanting, both as audiences and as myth-makers.
Critics pegged ‘Venom’ as not just a lower-rung Marvel film, but as one of the worst comic book films ever. Is it really that bad? Yes.
Batman’s newfound lack of faith raises an interesting question: what do the rest of the folks in comic book land believe?
Perhaps the most amazing thing about Spider-Man was the mind and abilities of the man who truly formed him. That’s Steve Ditko, of whose death the news has come.
Whatever his faults, Wesley’s lyrics have a picturesque clarity to them that is instructive compared to the nonsense coming from college administrators these days.
For fans of narrative-driven or single-player games, PlayStation excels. And that’s especially true this year
For my money, the best Spider-Man is a short-lived, small-screen animated series called ‘The Spectacular Spider-Man,’ a superhero cartoon that ran from 2008 to 2009.
So, does the film do away with Uncle Ben’s nugget of wisdom, ‘With great power comes great responsibility’? No, it’s just softer in this film.
This new ‘Spider-Man’ has none of the sweetness of the old comics or movies, none of the suffering—but all the gadgets and heroism audiences want.
‘Spider-Man: Homecoming’ affords the opportunity to compare Peter’s pursuit to wield super-powers responsibly with other, older heroes’ endeavors to do the same.
Their comic books have lost their core of good storytelling, and are instead pandering to social justice warriors and offering phony diversity pushes.
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