While ‘The Grudge’ will probably appeal only to those who are already fans of the franchise, it presents an excellent juxtaposition between Japanese and American horror films.
In “Last Full Measure,” top Marvel actors Sebastian Stan and Samuel L. Jackson lead a star-studded cast in a Vietnam War drama that spotlights how much military families give their nation.
In ‘Hustlers,’ Jennifer Lopez transformed into a difficult character, masterfully conveying layers of class tension and womanhood that less capable actresses wouldn’t have grasped.
‘1917,’ which follows the release of Peter Jackson’s groundbreaking World War I documentary by one year, shares a story of selflessness and honor through technically dazzling cinematic effects.
‘Little Women’ is so important and transcends each generation because it captures the differences between women — in personalities, desires, and fortunes. Greta Gerwig’s rendition didn’t quite cut it.
Contrary to what feminist writer Amanda Marcotte says, stories of heterosexual monogamous courting, like Hallmark movies, are the exact opposite of fascism.
‘Harriet’ is finely done and despite the usual amount of creative liberties in historic films, many aspects of the movie offer an accurate and balanced view of both Tubman and our country’s history.
It may have bombed at the box office, but ‘Terminator: Dark Fate’ proves why the franchise will continue to resonate with fans.
“The Peanut Butter Falcon,” which just hit $20 million at the box office, was reportedly “buoyed by America’s heartland.”
‘Joker’ is such an original and immersive journey into madness that its distracting comic-book connection could be considered a drawback.
‘Lucy in the Sky’ is the second flick in two weeks about an emotionally broken astronaut who goes rogue with no regard for the consequences.
‘Downton Abbey’ devotees will be delighted by the big-screen debut of the series that made post-Edwardian elegance so irresistible for six seasons.
Blade’s sword-wielding, crime-fighting ways — and the progression of the trilogy itself — gave us all the opportunity to learn the name Thanos.
The spy film genre currently needs two things: a new James Bond, and an increase in clever female-driven spy films. These should be solved separately.
On June 17, VidAngel was handed a $62 million bill, payable to Disney, Fox, and Warner Bros. While the company appeals, let’s puzzle over what Disney could possibly do with more control and money.
Consumers should fight back and let Netflix know that it can’t transplant its values to Georgia or any other state exercising its system of democracy.
‘Wine Country’ is outright cringe-inducing from start to finish, save for a merciful flash of comedy every 20 minutes or so. Not even a bottle of cab can dull the pain.
It’s okay that we have a gendered and trivializing label for these movies because they’re reasonably gendered and reasonably trivial.
Google search results label ‘Unplanned’ a propaganda film, but ‘Triumph of the Will’ a history/war movie.
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