Blade’s sword-wielding, crime-fighting ways — and the progression of the trilogy itself — gave us all the opportunity to learn the name Thanos.
The spy film genre currently needs two things: a new James Bond, and an increase in clever female-driven spy films. These should be solved separately.
On June 17, VidAngel was handed a $62 million bill, payable to Disney, Fox, and Warner Bros. While the company appeals, let’s puzzle over what Disney could possibly do with more control and money.
Consumers should fight back and let Netflix know that it can’t transplant its values to Georgia or any other state exercising its system of democracy.
‘Wine Country’ is outright cringe-inducing from start to finish, save for a merciful flash of comedy every 20 minutes or so. Not even a bottle of cab can dull the pain.
It’s okay that we have a gendered and trivializing label for these movies because they’re reasonably gendered and reasonably trivial.
Google search results label ‘Unplanned’ a propaganda film, but ‘Triumph of the Will’ a history/war movie.
This isn’t your typical cheesy Christian film but, given the message, it’s likely to attract a niche audience that already knows the truth about abortion.
It’s a time for the Oscars to celebrate stories that challenge us to be the best we can be and give us heroes to emulate.
For moviegoers looking to see something beyond superhero films and animated flicks, a variety of 2019 biopics will spotlight notable heroes and stories.
When movie icons like Albert Finney die, the only true way to honor them as fans is to revisit their body of work with softer, more appreciative eyes.
‘They Shall Not Grow Old’ immortalizes and humanizes the ordinary British infantrymen who fought on the Western Front, and were then forgotten.
This podcast should be fantastic. The premise of a charismatic comedian experiencing many of these treasured movies for the first time held promise.
Many of the films depicting the African-American experience this year are admirable, but the most meaningful one is, ironically, by the man who made ‘Dumb and Dumber.’
Superhero movies, more than any other creation or institution of the last two decades, have created a common culture.
As far as there can be an objective way to classify what counts as a Christmas movie, ‘Die Hard’ meets those requirements.
Two movies that won Goldman Oscars, ‘Butch Cassidy and The Sundance Kid’ (1969) and ‘All The President’s Men,’ (1976) showcase all the fun of that generation, and all the political sanctimony.
How a fabled film, long in the works, was ultimately released––and triumphed.
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