Fantasy film wizard Peter Jackson co-wrote the screenplay of this dazzling mishmash of a movie, but don’t expect another epic for the ages here.
‘Brooklyn’ is a work of selective nostalgia that shows the best in 1950s America. It may not be a Christmas movie, but it’s perfect for the season.
It’s rare that a Hollywood comedy brings on subject matter consultants to get details right— and then still manages to be funny.
How a fabled film, long in the works, was ultimately released––and triumphed.
The amazing part of ‘Bohemian Rhapsody’ is how Rami Malek channeled Freddie Mercury rather than impersonated him.
The film is designed to celebrate Lizzie Borden’s 18 axe blows to her stepmother and the 10 or 11 to her father as feminist empowerment.
The effort to make this movie somehow fit the identity politics of our age and our country have bordered on the comical.
‘Crazy Rich Asians’ surpassed $25 million in ticket sales in the opening weekend across both the United States and Canada, beating Mark Wahlberg’s action thriller ‘Mile 22.’
The extra ‘K’ that makes the movie’s title look ridiculous is emblematic of what’s wrong with the film as a whole: it ends up being an unnecessary and distracting detraction.
Legend, myth, storytelling, preservation of memory — these ideas constitute the thematic heart of ‘The Sandlot.’ For its 25th anniversary, the film returns to theaters July 22 and 24.
Kayla is being raised by her single dad, who adores her with every fiber of his being, but just can’t figure out how to make her see what he sees in her.
Not many actors and actresses running around these days can generate wide-ranging interest by their mere involvement. But The Rock almost always does.
The film worked well as a thriller but it’s clearly inferior to the original. It exposes the Gordian knot at the heart of our border troubles, but doesn’t cut it.
Not since Roger Moore’s turn as James Bond has an actor sleepwalked through a film like Rudd has here.
Not only does the movie get its themes confused when it comes to the villain, its plot is an embarrassment.
The new horror film ‘Hereditary’ is hyperbolic in its honesty over what our family line can do to us.
There are loads of differences between the cases, but what they have in common is convicting white men of crimes against women based on scanty evidence.
At every point in the movie, the combination of star power, talent, tiredly thumbing noses at the patriarchy, and a daring robbery underwhelms.
The long-awaited all-female follow-up to the beloved Ocean’s series is an absolute mess, complete with gaping plot holes, and a completely flat story.
British writer-director Bart Layton designed this thrilling heist film around the candid interviews of the four thieves themselves.
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