In an interview, J.D. Vance says ‘by necessity’ the Netflix movie adaptation of ‘Hillbilly Elegy’ had to reshape his memoir.
With little to no emphasis on J.D. Vance’s Appalachia community, the film lacks the sense of place that his memoir crafted carefully.
Let’s enjoy what Hollywood produced the decade before streaming giants really disrupted the landscape.
‘Sharp Objects’ begins as a straightforward thriller, but ends up tackling our age’s tendentious relationship with its past—and the futility of our attempts at self-determining autonomy.
HBO’s ‘Sharp Objects’ constructs a compelling mystery within a mystery, leaving audiences to wonder if the two conclusions will ultimately be the same.
The Oscars continually award ‘importance’ over quality, and Meryl Streep’s yearly perfunctory nomination cheapens the entire ceremony.
Denis Villeneuve tells a universal story about mankind by focusing on a question that all of us will have to answer at some point in our lives: ‘Do you want to make a baby?’
At once colorful and stark, ‘Nocturnal Animals’ is an interesting experiential, artistic film—one that will inspire thought, even if it doesn’t delight.
Linguist Louise Banks has to ask herself: ‘If you knew how your life would turn out, would you choose to live it again?’
Patricia Arquette railed against wage gaps in her Oscar speech. They don’t actually exist in the real world. But they do in Hollywood (and the White House).
Her is quite the meticulous and creepily seductive criticism of our techno-orientation toward transhumanism.
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