Netflix’s ‘Triple Frontier’ is a movie about the one thing that’s been banished from our entertainment—friendship between men.
‘Dating Around’ marks Netflix’s foray into reality television, but the show also represents something you could probably call Prestige Reality TV.
Tina Fey, who created ‘Kimmy Schmidt,’ enjoys mining partisan politics for laughs, and she’s capable of doing it without using comedy as a thin pretense for DNC propaganda. Hers is a rare approach.
‘Russian Doll’ is a great watch for those long nights where you want to indulge the fantasy of getting a whole-life do-over.
While the Academy is happy to crow about diversity, another kind of intolerance remains at play regarding films like ‘Roma.’
You don’t have to put off important milestones. Don’t let the outside institutions, or your checking account, dictate your life.
The more I watched, the more I became convinced that Marie Kondo is the hero we need to declutter the giant, oppressive mess we’ve made of the U.S. government.
Netflix’s new show ‘Sex Education’ is a thinly veiled attempt to force a young audience into swallowing a dangerous liberal pill.
The most important answer to Hannah Gadsby’s groundbreaking ‘Nanette’ came quietly from Ellen DeGeneres in ‘Relatable,’ the comedian’s new stand-up special.
The Sandra Bullock film’s rescuers really spark the imagination when one takes into account the successful eugenics practice of abortion in Iceland.
Netflix’s new ‘The Fix’ is an utterly pointless waste of a comedian as funny as Jimmy Carr, who doesn’t give a hoot about political correctness or solving world problems.
‘Bandersnatch’ is a breakthrough experiment in audience interactivity, and driving Internet obsessives to geek out over its endless potential story permutations.
‘Watership Down’ is both a deeply, fantastically imagined mythology, and an epic adventure story full of thrills and hair-breadth escapes whose appeal to all ages will never stale.
There are, no doubt, many innocent people in American prisons. Steve Avery, the murderer of Teresa Halbach, isn’t one of them.
If there was ever a moment that exposed the urban-rural divide and explained the populist sentiments that follow, it was this one.
How a fabled film, long in the works, was ultimately released––and triumphed.
Baldwin’s show is a flop because there are already a dozen other left-wing comics doing the exact same bit.
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