The Underwood machine is driven by Machiavellian political theory. That makes the show less eery in the age of Trump, but it’s no less powerful.
Both ‘Gunsmoke’ And ‘House Of Cards’ encapsulate an American ethos, but one humanely and the other in a brutal, disturbing way.
As with all simple infatuations, my love for Frank Underwood has smoldered, doused by the ennui that marks season five. Kevin Spacey has no room to further develop the character.
It’s easy to blame Sean Hannity for the Seth Rich conspiracy theory. But isn’t this kind of conspiratorial thinking a fixture of our popular culture?
Brad Pitt’s new ‘War Machine,’ out on Netflix in May, is part of a remarkable shift in star power towards television over the past 30 years.
The cover art for vintage pulp fiction had the virtue of acknowledging the centrality of sin even while exploiting it.
It’s time for HBO’s ‘Veep’ to dive into the substance of its surroundings.
Here’s how meddlesome government is making your barbecue more expensive and less tasty.
Maryland’s film tax credits benefit rich Hollywood out-of-staters such as those producing ‘House of Cards.’ Research shows these credits don’t benefit local taxpayers one bit.
Whether you believe the Duggar lifestyle is optimal – and I don’t – there is much to learn from them about parenting.
It’s like House of Cards is running the Democratic playbook. But showing us how calculated and manipulative it really is.
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