In a market oversaturated with comic book adaptations, ‘Scott Pilgrim vs. the World’ truly stands apart. Now is the perfect time to check it out or revisit.
‘The Chosen’ returns, depicting further events in the Gospel. Plus, new faith-based projects from singer Carrie Underwood, producer Roma Downey, and more.
Whether you’re seeking catharsis for a Valentine’s Day spent single or merely wish to offset the overwhelming atmosphere of the day, these ten movies are an ideal antithesis to the saccharine.
David Fincher’s new film following Herman ‘Mank’ Mankiewicz as he writes the screenplay of ‘Citizen Kane’ is a stunning piece of cinema and a must-watch for anyone who loves old movies.
‘Run Hide Fight’ is hardly Republican propaganda. It’s also hardly the best movie you’ll see this year. But it’s a serious piece of cinema.
Strong performances and character development balance out the soapy sex and romance nicely, creating a thoroughly bingeable and enjoyable series.
The vision of ‘Inside Out’ and ‘Monsters, Inc.’ director Pete Docter, ‘Soul’ is a sometimes sublime, somewhat flawed entry into the noble Pixar canon.
With little to no emphasis on J.D. Vance’s Appalachia community, the film lacks the sense of place that his memoir crafted carefully.
There is an irony that a film focusing on a woman worried that she will never live up to her predecessor is a pale imitation of its source material.
Instead of recognizing the failures of generations of leftist government policies, Jennifer Siebel Newsom blames America’s ills on the nation’s Founding.
The biggest problem with the film is that we don’t have enough time with any of the characters, and therefore have no real reason to care about them.
‘Then Came You’ is essentially a Lifetime movie that wanted to be something a bit better.
Recently retired New England Patriot Benjamin Watson has a new goal with his documentary ‘Divided Hearts of America’ — opening eyes to the value of life.
Brending’s beautiful visual style and ability to craft engaging characters is on full display, but the film’s attempt to say everything about misogyny leaves only a cursory understanding of the myriad topics addressed.
Nicole Brending wore many hats on the set of ‘Dollhouse: The Eradication of Female Subjectivity from American Pop Culture,’ a tale of the rise and fall of fictional child pop star Junie Spoons.
HBO’s ‘The Swamp’ is a rarity, affording conservative politicians a relatively unfiltered major media platform to explain themselves.
While exploring the concept of immortality, each character in “The Old Guard” comes from a different era, which plays into their relationships.
Had Trank chosen one thematic direction and wholly committed, the film could have been quite good. But as it stands, the film’s badness is only compounded by its squandered potential.
If you’re not too good to enjoy people falling off cliffs or getting kicked in the face, ‘The Wrong Missy’ will be worth your time.
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