There is an irony that a film focusing on a woman worried that she will never live up to her predecessor is a pale imitation of its source material.
‘Yesterday’ is relentlessly unamusing and thoroughly unconvincing in its tale of a struggling musician becoming the only person in the world who knows The Beatles ever existed.
We all love to watch films about troubled human beings who struggle with their sin, and ultimately find redemption. Because ultimately, they offer us hope.
With ‘Baby Driver,’ Edgar Wright infuses the heist genre with an originality that’s consistent with his previous work.
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