Whereas It the creature assumes the form of whatever its prey fears most, ‘It’ the pop-culture phenomenon takes the form of whatever mass audiences and woke critics crave the most, manifesting most often as a mess.
Thanks to federal mandates, physicians now spend more time staring at computer screens than connecting with patients. They find the drudgery soul-crushing.
Much of Stephen King’s work may wear the skin of Bram Stoker or Arthur Machen, but the skeleton and muscles come from Middle Earth.
‘It’ is not primarily about a monster but about growing up, about how even if you can evade the demons of childhood adulthood, as one boy realizes early in the novel, will get you in the end.
The past decade of throwing taxpayers’ money at health information technology makes the Solyndra boondoggle look like chump change.
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