Like most new racial history exercises, land acknowledgments are less about a true reflection of the past than grievance politics and superficial gestures.
The true story of a white teacher who uses lacrosse to galvanize Inuit students in the remote Canadian village of Kugluktuk, ‘The Grizzlies’ grapples compellingly with suicide, addiction, alienation, and race.
The ‘settler’ argument exacerbates racial tensions by projecting a historical narrative in which white Americans, regardless of their family histories, are singularly responsible for historical evils against indigenous people.
A fusion of reflexive leftism and religious idiom, ‘Amazonia: New Ways’ is a showpiece of crisis-mongering and hostility toward technological development.
Five hundred years ago, Hernando Cortez and his native allies put an end to a gruesome regime with one of the greatest underdog victories ever recorded.
Nickel, lithium, and cobalt are used to create electric cars. Little may Alexandria Ocasio-Cortez realize, but indigenous people around the globe are harmed by mining practices.
If we really want to commemorate horrifying, unspeakable violence and oppression in the Americas, I’ve got the perfect holiday: ‘Indigenous Peoples’ Day.’
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