There are a plethora of traditional monster, slasher, and gore films, but what about options for those less interested in traditional genre offerings?
From gracing the screen at countless sleepovers to serving as ideal movie-night picks, a handful of classic teen comedies have proven a lasting power. But almost none of them arrived in the past decade.
Whereas It the creature assumes the form of whatever its prey fears most, ‘It’ the pop-culture phenomenon takes the form of whatever mass audiences and woke critics crave the most, manifesting most often as a mess.
The boilerplate horror film is one-dimensional, aided by oblivious characters and poor screenwriting, only partially saved by Quaid’s excellent acting.
The film implies the dead should have been left alone for their souls to enter the afterlife, but filmmakers chose not to beat viewers over the head here.
For a horror film, ‘Us’ is not particularly scary or involving, and for a movie full of metaphors, it offers nothing to hold your attention or remember.
The left’s young radicals will be no more forgiving to the liberal elites than the populists will. In the end, they too will turn on those who led them to ruin.
Tom Cruise’s summer blockbuster offers horror, romance, and an all-American hero—but it also has a strong message regarding the death cult of individualism.
M. Night Shyamalan’s films are often horrific, but for all the wrong reasons. With ‘Split,’ he offers audience something different and interesting.
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