What I found was not only far more complex than I had anticipated, but also challenging to my preconceptions of Edgar Degas as little more than the Maurice Chevalier of painters.
‘Raphael and His Circle,’ which opened recently at the National Gallery of Art, brings together works from the museum’s collections of prints and drawings by the master and his associates.
In this single work, Tintoretto manages to demonstrate his astonishing artistic skill, while simultaneously evoking the wealth and power of the Venetian Republic.
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