The truth is, Nashville executives prefer pop-sounding country and crossovers with pop artists because it brings in pop fans and profits.
For all the chatter about formulaic truck songs and cynical genre-bending, mainstream country in the 2010s actually had a lot of bright spots.
We are in the throes of a country music revival not seen since the heyday of Hank Junior, and ‘Port Saint Joe’ is among the reasons why.
Long gone are the ballads of the common man. In their place, we’ve got lots of booze, driving on dirt roads, and objectifying lyrics about women.
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