From David Bowie’s earliest steps onto the public stage up to his end, he remained preoccupied with the individual’s struggle against the collective.
Isn’t there something mysterious about our difficult times that causes Batman and Superman to become morally ambiguous enemies?
In “The Devil’s Pleasure Palace,” Michael Walsh explains how renewing the heroic tradition in Western art can rescue our culture from the dehumanizing horrors of postmodernism.
All the factions inside the Star Wars world suck.
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