Tina Fey, who created ‘Kimmy Schmidt,’ enjoys mining partisan politics for laughs, and she’s capable of doing it without using comedy as a thin pretense for DNC propaganda. Hers is a rare approach.
‘Russian Doll’ is a great watch for those long nights where you want to indulge the fantasy of getting a whole-life do-over.
The Joker turns assassin in an episode about fathers and sons — real, imagined, and lost.
In a flawed episode, Batman does not arrive until the final act. The wait is worth it, even if parts of the plot are hackneyed and overdone.
Officer Renee Montoya, a character created for the series, gets her true introduction in an episode without a super-villain.
Originally, the Ferengi were conceived as a new major enemy for the Federation. DS9 develops the Ferengi into so much more.
Hosted by Megan Mullally, the Screen Actors Guild Awards seemed to lack the laughter-free awkwardness that has been pervasive early in the 2019 awards season.
Syfy’s ‘The Magicians’ is an art project in the form of a television show, something we haven’t seen since ‘Twin Peaks.’
In practice, the much-hyped changes Conan made to his show actually feel more like tweaks than disruptions. But they work well enough for him.
This country needs someone like him, not in a political office or to hang our hopes on, but to relax with, share a laugh with, and be reminded of the common humanity and strength of our culture.
Netflix’s new show ‘Sex Education’ is a thinly veiled attempt to force a young audience into swallowing a dangerous liberal pill.
The pilot episode of ‘The Sopranos’ debuted 20 years ago on HBO, and signaled a major turning point in television drama.
The series’ first original villain—the Sewer King—is a dud who fails to capitalize on obvious themes of the Batman mythos.
Watching the Carol Burnett struggle to hold back her tears was a bright spot in an otherwise underwhelming Golden Globes broadcast.
‘Bandersnatch’ is a breakthrough experiment in audience interactivity, and driving Internet obsessives to geek out over its endless potential story permutations.
The introduction of Poison Ivy reveals more about Bruce Wayne – and the ambitions of the series.
On the big and small screens, new storytelling is losing its ability to saturate our culture and promote shared values.
‘Watership Down’ is both a deeply, fantastically imagined mythology, and an epic adventure story full of thrills and hair-breadth escapes whose appeal to all ages will never stale.
Mark Hamill’s Joker gets his first memorable line: ‘You killed Captain Clown!’
‘It’s not about the pasta’ was reality television’s greatest gift in 2018: petty, nonsensical, booze-fueled inanity— but with a kernel of relatability.
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