At times, it can almost seem ‘War for the Planet of the Apes’ is anti-human. Yet it really shows what is best, and worst, about humankind, and therefore defines it.
With ‘Baby Driver,’ Edgar Wright infuses the heist genre with an originality that’s consistent with his previous work.
As Hollywood congratulates itself for the money-making frame that just ended, allow me to point out the attempts that will not lead to bonus payouts in the executive offices.
Hollywood has forgotten how to tell a story.
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