The Left is abusing American high school education in its struggle to gain and retain political power. We only found out about this incident by accident. How many more?
Deep fakes pose significant threats. But these threats shouldn’t have the final word on the future of deep fake technology.
Foreign cyber-propaganda is preying on American discord and divisiveness. Civility may be our best defense.
Both books about Pence’s bunny are propaganda and don’t belong in any elementary schools. Young children should not be reading stories freighted with political ideology.
The media’s weird praise for North Korea over the weekend is a timely reminder of why we just can’t trust the Left with power.
History shows how the establishment media’s soft spot for leftist dictators and totalitarian states is a longstanding tradition.
Lester Holt went to North Korea’s luxury ski resort for the Winter Olympics, apparently unaware he was participating in the spread of regime propaganda.
A hundred years on from the Bolshevik Revolution, we’d do well to study the stages and trends that put free societies on the path to totalitarianism.
These documents suggest Russia’s attempt to ‘hack’ the 2016 election was hardly just about the election, and that a main target and beneficiary of that effort is the American press.
The Southern Poverty Law Center’s ‘Hate List’ has all the authority of a mean girl’s burn book. Yet it is dangerously provocative.
The riveting new documentary ‘In the Name of Confucius’ examines China’s controversial practice of planting outposts at more than 1,100 universities and K-12 schools across the world.
This year Armenian Genocide Remembrance Day and Holocaust Remembrance Day coincide on the same day: April 24, 2017. The coincidence is especially noteworthy this year.
Americans can learn how political correctness infects the mind by understanding the role it plays in recruiting protesters to disrupt the inauguration.
Real journalism is dangerous for elites, which is why we have so little of it.
‘I Am Sun Mu,’ a new documentary, follows a North Korean defector as he recounts his life and art under one of the world’s most oppressive regimes.
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