The Oscars continually award ‘importance’ over quality, and Meryl Streep’s yearly perfunctory nomination cheapens the entire ceremony.
I was fortunate to attend one of Simon’s concerts in the summer of 2016 following the release of his album, ‘Stranger to Stranger.’
There are a lot of wonderful things I could say about other nominees, but ‘I, Tonya’ deserves to be recognized alongside them.
People will take every opportunity to pay you nothing if you’re willing to do your work for free, be you man or woman.
A film adaptation of Michael Wolff’s gossip book about the Trump administration, ‘Fire and Fury,’ is almost sure to follow, probably in 2020, just in time to influence the election.
This was a truly great year for cinema, and I struggled over this list, especially since horror, my favorite film genre, has seen a massive resurgence of quality in the last decade.
The scope and the power that digital content providers wield in the culture is growing, while many old-guard institutions are getting bent out of shape at the encroachment.
Channeling a message via film is not necessarily a bad thing. But it’s bad when films wins because of their message, and not because they’re superior.
Journalist and editor at Reason Magazine, Robby Soave, joins Federalist Radio Hour to share his latest reporting on outrageous Title Nine debacles at universities.
Applying Donald Trump’s brand of anti-elitist populism to the Academy Awards in five easy steps can certainly make the Oscars great again.
The Oscars are not just a time for rich Hollywood folks to call themselves migrant workers to shame Donald Trump, they’re also a time to enjoy the clothing.
The 89th Academy Awards ceremony ended with a shocking twist.
The boy Kubo is grieving—not in psychological stages, but in song, threnody. Kubo must undertake a spiritual journey, risking his sanity to learn how to live like a human being and poet.
For all its pretense about art and authenticity, ‘La La Land’ is painfully artificial and ends up having very little soul at its core.
A lot of Americans are turning their TV sets off when award shows get too political. That’s bad news for Hollywood, but good news for America.
Denis Villeneuve tells a universal story about mankind by focusing on a question that all of us will have to answer at some point in our lives: ‘Do you want to make a baby?’
The Oscars at their best are about one simple thing: Beautifying what is worth beautifying in American movies. This year, that’s Mel Gibson’s ‘Hacksaw Ridge.’
‘Fences’ is about so much more than merely race relations, for which the critical community mistakenly applauds it to this day.
Chris Rock’s performance at the Oscar’s was more effective messaging than Lady Gaga’s Tribute or Leo’s climate change speech.
Actress Jennifer Garner refuses to cast herself as a victim and protects her children while also being clear about how her husband disappointed her.
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