The ‘Purge’ films invert political reality by making religious conservatives the ones in favor of lax crime laws that make the streets more dangerous.
Unfocused, charming, a little sappy, a tad more menacing than one may remember, ‘Yellow Submarine’ is silly and innocent, without being insultingly amateurish.
In three weeks an artsy commemorative book debuts marking the film’s fiftieth anniversary: ‘This Is No Dream: Making Rosemary’s Baby,’ by James Munn and Bob Willoughby.
It’s supposed to be this critique of gun culture, but throughout the entire series the bad guys with guns are always stopped by good guys with guns.
The Fourth of July shouldn’t be about celebrating warfare or revolution, it should be about celebrating exceptional American freedom.
Sequels usually fall the flattest when they try to recapture the original quality. That will never happen here, because the original is so special.
Most of the films nominated for Best Picture that year justly disappeared down the memory hole, while ‘WALL-E’ remains as vibrant and striking as ever.
One of the scientific advisors on Jurassic Park is making an apology for what he considers to be bad science in that film. But the apology holds water like a spaghetti strainer.
Not since Roger Moore’s turn as James Bond has an actor sleepwalked through a film like Rudd has here.
Not only does the movie get its themes confused when it comes to the villain, its plot is an embarrassment.
These works of fiction show that science in and of itself cannot answer questions of purpose, and science applied without purpose can be destructive.
The new horror film ‘Hereditary’ is hyperbolic in its honesty over what our family line can do to us.
This weekend, ‘The Incredibles 2’ hits theaters, 14 years after the original. Before you go see the new movie, let’s talk about the original.
At every point in the movie, the combination of star power, talent, tiredly thumbing noses at the patriarchy, and a daring robbery underwhelms.
The long-awaited all-female follow-up to the beloved Ocean’s series is an absolute mess, complete with gaping plot holes, and a completely flat story.
At first dejected by his rapidly deteriorating circumstances, Rev. Toller replaces God with dark obsession, and vanishes into his basest impulses.
Our kids deserve better than this, and Hollywood needs to be firmly told that enough is enough, and we’re tired of this garbage.
It’s not about individualism, it’s not about rugged heroes or implausible survivors—it’s about a mother, a father, and their children. All the fear stems from our need to protect what we love the most.
How can the past be home to anyone, when there was so much injustice and misogyny and racism, when aggressions were macro and hate speech was the lingua franca of even the hated?
A year before the moon landing, man’s greatest achievement of space exploration so far, Stanley Kubrick gave us the first and still most impressive vision of our cosmic destiny.
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