Abby Johnson has faced fierce criticism since leaving the abortion industry. She expects more to come in 2019, as her story hits theaters.
As far as there can be an objective way to classify what counts as a Christmas movie, ‘Die Hard’ meets those requirements.
Matt Bai’s book unpacks the story of Gary Hart’s career and the transformation of political media. It’s now the basis of the new movie, “The Front Runner.”
‘Frosty the Snowman’ is the story of a self-absorbed nitwit who kidnaps an impressionable young girl and brings her to the deadliest terrain on earth.
Three decades after its debut, MST3k has legions of fans around the world, has spawned innumerable imitators and successors, and its legacy is showing no sign of slowing down.
It’s rare that a Hollywood comedy brings on subject matter consultants to get details right— and then still manages to be funny.
Here’s a list of surefire ways to bag a man in time for Christmas, as inspired by Hallmark Channel’s ‘Countdown to Christmas’ movie lineup.
Washington Post writer David Betancourt joins Federalist Radio to discuss the work of Stan Lee and big changes in the superhero entertainment industry.
Turn to movies and art for a mental reset during these trying political times. Here are seven picks to remind you that unity and shared values still exist.
Peter Suderman talks “The Haunting of Hill House,” and binge-worthy horror movies to watch this Halloween on the Federalist Radio Hour.
An earlier entry in the slasher realm is actually a touchstone in the genre: ‘The Town That Dreaded Sundown.’ It’s the last time I felt a visceral combination of fright and thrill from a film.
Need a new show to binge? Ellie Bufkin and Ben Domenech discuss the good and bad of what’s been coming out of Hollywood, Netflix, and streaming platforms lately.
This film isn’t only a movie to see if you’re ardently pro-life. This is a movie for anyone interested in crime, in justice, in health care, and in reform.
‘First Man’ has a plot, but seems to be shot at a remove from the characters, meanders without becoming involving, and has puzzling ideas about children.
There is good reason the Library of Congress chose only the original for preservation for being ‘culturally, historically, or aesthetically significant.’
‘Venom’ is the first movie in what Sony hopes to construct as a separate universe from the one where Spider-Man now hangs out with The Avengers.
On this episode of the podcast ‘Flix It,’ hosts David Marcus and Ellie Bufkin stream the 1992 western, ‘Unforgiven.’
It fails to rise above its genre, but ‘The Predator’ is rescued in part by the symbolism of family love, which reveals a deep emotional humanism that should have received far more praise.
The film is designed to celebrate Lizzie Borden’s 18 axe blows to her stepmother and the 10 or 11 to her father as feminist empowerment.
For this cinema cynic, who glories in the misfires and crater-producing duds, there is not as much wreckage to pick through this year, but there are still ample failures to be found.
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