Not since Roger Moore’s turn as James Bond has an actor sleepwalked through a film like Rudd has here.
Not only does the movie get its themes confused when it comes to the villain, its plot is an embarrassment.
The new horror film ‘Hereditary’ is hyperbolic in its honesty over what our family line can do to us.
There are loads of differences between the cases, but what they have in common is convicting white men of crimes against women based on scanty evidence.
At every point in the movie, the combination of star power, talent, tiredly thumbing noses at the patriarchy, and a daring robbery underwhelms.
The long-awaited all-female follow-up to the beloved Ocean’s series is an absolute mess, complete with gaping plot holes, and a completely flat story.
British writer-director Bart Layton designed this thrilling heist film around the candid interviews of the four thieves themselves.
At first dejected by his rapidly deteriorating circumstances, Rev. Toller replaces God with dark obsession, and vanishes into his basest impulses.
‘Pope Francis’ is a disturbing film, not solely for its exaltation of Francis and his politics but more so for having been planned from the beginning of his ascent to office.
Despite all of the mess and controversy, Ron Howard, Kathleen Kennedy, and the folks at Lucasfilm have made a fun and entertaining Star Wars film.
That the film paints Malthusian calculus in such an unflattering light just as a wave of editorials are confessing the unrealized horrors of population panic is one heck of a coincidence.
Whatever your jam may be—fantasy, SF, action, horror, comedy, or melodrama—it’s guaranteed to be somewhere in this packed conglomeration.
No need for a monster in every scene. This movie gets screams by simply making a sound with a small toy.
It’s not about individualism, it’s not about rugged heroes or implausible survivors—it’s about a mother, a father, and their children. All the fear stems from our need to protect what we love the most.
I don’t think anyone would have ever guessed that the guy who played Jim Halpert on the U.S. version of ‘The Office’ might have anything to do with a discussion of essential horror filmmakers.
How can the past be home to anyone, when there was so much injustice and misogyny and racism, when aggressions were macro and hate speech was the lingua franca of even the hated?
A lot of reviewers see ‘Chappaquiddick’ as a long-overdue look at the cowardice of a man who lived 40 years basking in adulation as the ‘lion of the Senate.’ I’m not so sure.
There’s nothing wrong with making a movie that won’t receive Oscar buzz, or break records, or cause its viewers to have an existential crisis.
As the plot unfolds, the viewer is not given a stable berth from which to follow the story, and audiences can become as disoriented as Claire Foy’s character.
In this grim noir thriller, Joaquin Phoenix plays the disconnected loner Joe as a sadder and more tragically human version of Robert De Niro’s Travis Bickle from 1976’s ‘Taxi Driver.’
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