Nothing could match Winston Churchill’s behavior as British prime minister during World War II. His defiance was legendary. ‘The Darkest Hour’ catches it.
The screenwriters somehow managed to make the character seem smaller and weaker inside a film that was supposed to be all about the Black Panther.
Yes, America, this is a story about the legacy of black pride and the civil rights struggle after the assassination of Martin Luther King Jr.
Clint Eastwood’s surprising choice to cast the people who were the real heroes of the Paris attack works beautifully.
‘12 Strong’ is a welcome change from the ‘We’re all to blame’ war movies that leftists in Hollywood crank out.
Scott Cooper’s ‘Hostiles’ accepts history’s brutal realities rather than substituting political cant. Cooper is what historians used to be: one who doesn’t fashion history to fit a political agenda.
Netflix’s ‘Bright’ is not a movie, it’s not even a commentary—it’s a boring regurgitation of common political narratives.
‘Get Out’ has been chatted up for best picture, best actor, best director, and best film editing for Oscar nominations. The nomination lists come out January 23.
‘Bright’ has proved a nice antidote for the Great December Disappointment of 2017, the pretentious, awful Star Wars offering, ‘The Last Jedi.’
‘The Last Jedi’ may be best summed up as a cinematic act of demolition. Disney has declared war on the past, on teachers, and on the idea of extraordinary heroes.
‘The Last Jedi’ is the Star Wars movie we wanted, the one we needed, and absolutely more than we deserved.
‘Star Wars: The Last Jedi’ is an egregiously bad movie: Poorly written, badly directed, lazily acted, and bombastically grating in both sound and image.
From the early reactions I saw online, I expected ‘The Last Jedi’ to be the best Star Wars movie since ‘Empire Strikes Back.’ That it is not.
The Last Jedi explores the nature and purpose of the force in the universe, but is distracted with drab and childish conflict between characters you don’t really care about.
‘Blade Runner 2049’ needs no corrective editing like its cult-favorite predecessor, for it is a much better film on every level.
‘Justice League’ is more of the same action-packed boredom that Zack Snyder began in ‘Man of Steel’ and perfected in ‘Batman v Superman.’
Comedy is not what it was, and neither is Jim Carrey, but he has emerged as the bane of Hollywood pretension and American celebrity worship.
‘Murder on the Orient Express’ is the classic story in which audiences at last understand that the hero doesn’t merely defeat evil, but willingly sacrifices himself for the sake of others.
Baring a freakishly spectacular performance from another actress before 2017 ends, Carla Gugino deserves to win Best Actress in every single award committee.
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