We log hundreds of hours of couch time with heavy-handed romanticizing of sin and darkness. It’s bad for TV and for our souls.
The stories and heroes we admire most reveal something about who we are. It matters that ’13 Reasons Why’ is more popular than Joan of Arc.
An armed citizen was able to stop a crazed attacker and save a state trooper’s life with the help of his gun, CNN reported.
It’s hard to believe how heroic Desmond Doss was. So hard, ‘Hacksaw Ridge’ director Mel Gibson and producers left some of it out.
Luke Cage might as well be Achilles. All the markers are there.
From David Bowie’s earliest steps onto the public stage up to his end, he remained preoccupied with the individual’s struggle against the collective.
Isn’t there something mysterious about our difficult times that causes Batman and Superman to become morally ambiguous enemies?
In “The Devil’s Pleasure Palace,” Michael Walsh explains how renewing the heroic tradition in Western art can rescue our culture from the dehumanizing horrors of postmodernism.
All the factions inside the Star Wars world suck.
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