‘Get Out’ has been chatted up for best picture, best actor, best director, and best film editing for Oscar nominations. The nomination lists come out January 23.
While older generations may know everything there is to know about the quotable mafia flick, millennials may have yet to bask in the glory of Marlon Brando’s mystifying role.
Forget the greats, let’s take a look in the dumpster behind the 2017 theater for the failures and rejects.
This was a truly great year for cinema, and I struggled over this list, especially since horror, my favorite film genre, has seen a massive resurgence of quality in the last decade.
These are the best movies out of Hollywood this year. They are not happy stories, but they all testify to the importance of nobility in times when humanity seems in danger.
It is often said that ‘The Godfather’ is an ironic commentary on the American Dream. That conventional wisdom may say more about movie critics than about ‘The Godfather.’
Baring a freakishly spectacular performance from another actress before 2017 ends, Carla Gugino deserves to win Best Actress in every single award committee.
From the very first scene, ‘Thor: Ragnarok’ emits a strong message about vocation — that is, the roles in which one serves his or her neighbor.
This is not the generic familial dysfunction of wealthy people with too much time and money on their hands. It is uniquely New York.
Terrence Mallick uses the actors, rock stars, and models like a masterful magician who pretends one trick but does another. They are all fools for acting in their own satire.
For those seeking geeky protagonists, ’80s retro, and misfit adventure, here are a few movies that should tide you over until the end of October.
The film director throws out a lot of stereotypical views about conservative ideas, but deep down, he thinks and acts much like the rest of us.
Women, Marie Claire implies, would never want to watch a gripping two-hour tale of everyday heroism amid the backdrop of a fight against looming totalitarianism.
‘Dunkirk’ is not a war movie in the mold of ‘Saving Private Ryan,’ ‘We Were Soldiers,’ or any of the hundreds of other war films that have come before it.
By the simple fact of making and continuing to make so much money, ‘Star Wars’ became the film everyone wanted to make again.
With ‘Baby Driver,’ Edgar Wright infuses the heist genre with an originality that’s consistent with his previous work.
In watching ‘Guardians of the Galaxy,’ you know for sure that the good guys will win at no cost to themselves or anyone who matters. That’s not a good movie. It’s cheap therapy.
His politically incorrect humor hearkens back to a generation when stardom was less common, and comedians weren’t so paranoid.
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